The sports as an art form: dialogue between (two?) languages
DOI:
https://doi.org/10.22456/1982-8918.2871Keywords:
Sport. Cinema.Abstract
In a research recently carried through (Melo, 2004), I looked for to argue that it is possible to identify to many neighborhoods between cinema and sport in the first moments of the constitution of the industry of the spectacle, something that must be understood in the context of the construction of modernity. This article has for objective to demonstrate of an empirical form as if they had established the relationships between the two languages since before the first public exhibition of a film, promoted for the Lumière brothers in 1895. My basic intention is to identify the changes that had in the representations of the sport in the cinema, to the measure that ripens the cinematographic language and that dialogues between the two manifestations are established.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Movimento adopts the Creative Commons Attribution 4.0 International (CC BY 4.0) for approved and published works. This means that authors:
- keep their copyrights and grant right of first publication to the journal; and
- as long as the authors’ names and Movimento’s initial publication rights are acknowledged, the authors may share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material for any purpose, even commercially).