Vol. 42 No. 1 (2024): Dossiê Cabaré, burlesco e outros teases

					View Vol. 42 No. 1 (2024): Dossiê Cabaré, burlesco e outros teases

Na imagem, "Performance da Rogéria" do ator Henri Lunes que integra a tese de doutorado Que carne pode a cena ? estudos sobre poéticas corporais transperformacionais, para além da dramaturgia de Censuradas: SOS Mulheres em Vênus ou Travestis na Porta do Céu, de Pedro Omar Lacerda Delgado, defendida em 2021, no Programa de Pós-Graduação em Artes Cênicas da UFRGS, com orientação da professora Mônica Fagundes Dantas.

Foto: Cláudio Etges

Published: 2024-01-22

Editorial

Artigos

  • Cabaret or Musical Revue? Similarities, diferences and hybridization

    Lívia Sudare de Oliveira
    01 -09
    DOI: https://doi.org/10.22456/2236-3254.135479
  • Contemporary revue theater: history and resilience

    Jones Oliveira Mota
    01 -10
    DOI: https://doi.org/10.22456/2236-3254.135485
  • Cabarets from the global south - festivity, gambiarra and creation

    Patricia Fagundes
    01 -14
    DOI: https://doi.org/10.22456/2236-3254.135463
  • Performative and dissident issues between samba schools and artistic cabarets in Rio de Janeiro: reflections from Talvez?

    Cleiton França de Almeida
    01 -13
    DOI: https://doi.org/10.22456/2236-3254.135422
  • Cabaret, carnivandalization and party: the Teatro171 in The East Zone of Belo Horizonte (MG)

    Marcelo Rocco , Marina Viana Pereira
    01 -11
    DOI: https://doi.org/10.22456/2236-3254.135462
  • Crossroad-cabaret: an autoethnography as a duo

    Cleber Rodrigo Braga de Oliveira, Ricardo Bertola Nolasco da Silva
    01 -14
    DOI: https://doi.org/10.22456/2236-3254.135445
  • Lavender Night - a transdisciplinary cabaret experience in the University

    Barbara Biscaro, Lucila Vilela
    01 -19
    DOI: https://doi.org/10.22456/2236-3254.135443
  • Noise and Chaos: notes on comedy, clowning and drag in cabaret

    Dagmar Teixeira Bedê
    01-12
    DOI: https://doi.org/10.22456/2236-3254.135449
  • Trash and glitter

    Matheus Silva
    01-09
    DOI: https://doi.org/10.22456/2236-3254.135456
  • Jokes and Puffs: an essay on the genealogy of Burlesque.

    Giorgia B Conceição
    01 -10
    DOI: https://doi.org/10.22456/2236-3254.135472
  • Laughing It Off: Neo-burlesque striptease and the case of the Sexual Overtones as a theatre of resistance

    Carina Zatti Corá; Reisa Klein
    01-15
    DOI: https://doi.org/10.22456/2236-3254.135474
  • Vrááá! Feather fans dance in Burlesque.

    Ana Carolina Castro Malcher, Almir Ribeiro da Silva Filho
    01 -12
    DOI: https://doi.org/10.22456/2236-3254.134954
  • An encounter with burlesque: a vulgar woman's report

    Iandra Cattani, Cláudia Müller Sachs
    01-10
    DOI: https://doi.org/10.22456/2236-3254.135379
  • Between powers, vulnerabilities, and narratives of the burlesque body

    Gabriela Maffazzoni Chultz, Suzane Weber da Silva
    01 -12
    DOI: https://doi.org/10.22456/2236-3254.135471
  • Burlesque and university: creative and formative experiences in the theater course at UFRGS

    Henrique Saidel
    01 -18
    DOI: https://doi.org/10.22456/2236-3254.135478
  • Erotism should not be erased

    Ingrid Labeta
    01 -16
    DOI: https://doi.org/10.22456/2236-3254.133979
  • Siren Aquarium. Sex Siren as a possible mean towards collective pleasure.

    juliette puch
    01 -07
    DOI: https://doi.org/10.22456/2236-3254.135450
  • I fake it, ergo sum: the obscene as a disruptor of the conventions of the scene

    Kysy Amarante Fischer, Vinícius Armiliato
    01 -14
    DOI: https://doi.org/10.22456/2236-3254.135465

Artigos Extradossiê

  • The relevance of the woman/actress in theatre inside Commedia dell´Arte

    FREDERICK Hunzicker, DIANA FELICORI
    01 -10
    DOI: https://doi.org/10.22456/2236-3254.135043
  • Dissident Theatricalities

    Sílvia Fernandes
    01 - 14
    DOI: https://doi.org/10.22456/2236-3254.133985
  • Johann Kresnik's dance-theater: art as a pronunciation of world?!

    Odailso Sinvaldo Berte, Mônica Corrêa de Borba Barboza
    01 -12
    DOI: https://doi.org/10.22456/2236-3254.134765

Entrevistas