INTERFACE: ANA'S DANCES IN LAVOURA ARCAICA
DOI:
https://doi.org/10.22456/1982-8918.17200Keywords:
Motion Pictures. Dance. Literature. Lavoura arcaicaAbstract
The aim of the present study was to analyse and reflect on the representations of Ana’s dances in Lavoura arcaica, literary and filmic works of Raduan Nassar e Luiz Fernando de Carvalho, respectively, using as the main theoretical reference Rudolf Von Laban. It was possible to conclude that, in the absense of verbal expression, Ana channels her desire of communication into her dances. In her first dancing manifestation, she shows marks of tradition, and in her second and last dance, the signs of rupture.Downloads
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