Antiphilosophy: Jean Epstein and speculative realism

Authors

  • Julio Bezerra Universidade Federal do Mato Grosso do Sul

DOI:

https://doi.org/10.19132/1807-8583202048.229-245

Keywords:

Jean Epstein. Speculative realism. Antiphilosophy. Theory of filmmakers. A. N. Whitehead.

Abstract

This article aims to propose a dialogue between Jean Epstein's movies and theory and speculative realism. The interaction of subjective and objective forces in cinema is a compelling field of investigation for a speculative realist, and the epsteinian conviction that cinema opens us to new domains of world knowledge is absolutely in tune with that philosophical movement. Throughout this dialogue, we struggle to outline a different way of thinking about cinema: an “antiphilosophy”.

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Author Biography

Julio Bezerra, Universidade Federal do Mato Grosso do Sul

Professor do curso de Audiovisual da UFMS. Doutor pela UFF e mestre pela UFRJ. Realizou pesquisa de pós-doutorado na ECO-UFRJ e fez estágio pós-doutoral na Columbia University. Autor do livro Documentário e jornalismo: Propostas para uma cartografia plural. Jornalista e crítico de cinema, colaborou com uma ampla gama de publicações. Curador das retrospectivas de Abel Ferrara, Samuel Fuller e Jean Renoir. Dirigiu os curtas E agora? (2014) e Pontos corridos (2017).

References

DELLUC, Louis. Écrits cinématographiques, Tome I: le cinéma et les cinéastes. Paris: Cinémathèque française; Paris: Cahiers du cinéma, 1985.

EPSTEIN, Jean. L'intelligence d'une machine. Paris: Jacques Melot, 1946.

EPSTEIN, Jean. Le cinématographe vu de l’Etna. In: Écrits sur le cinéma, Tome I, 1927-1947. Paris: Cinéma Club/Seghers, 1974.

EPSTEIN, Jean. Bonjour cinema and other writings. Afterimage, London, n. 10, p. 9-38, 1981.

EPSTEIN, Jean. Magnification. In: ABEL, Richard (ed.). French Film Theory and Criticism, 1907-1939: volume 1, 1907-1929. New Jersey: Princeton University Press, 1988a.

EPSTEIN, Jean. The Senses 1. In: ABEL, Richard (ed.). French Film Theory and Criticism, 1907-1939: volume 1, 1907-1929. New Jersey: Princeton University Press, 1988b.

EPSTEIN, Jean. On Certain Characteristics of Photogenie. In: ABEL, Richard (ed.). French Film Theory and Criticism, 1907-1939: Volume 1, 1907-1929. New Jersey: Princeton University Press, 1988c.

EPSTEIN, Jean. Photogénie and the Imponderable. In: ABEL, Richard (ed.). French Film Theory and Criticism, 1907-1939: Volume 2, 1929-1939. New Jersey, Princeton University Press, 1993.

KELLER, Sarah; PAUL, Jason. (ed.). Jean Epstein: critical essays and new translations. Amsterdam: Amsterdam University Press, 2012.

MEILLASSOUX, Quentin. After Finitude: an essay on the necessity of contingency. London: Continuum Books, 2008.

RANCIÈRE, Jacques. A fábula cinematográfica. Campinas: Papirus, 2013.

SCHNEIDER, James. Cinema seen from the seas: Epstein and the Oceanic. In: KELLER, Sarah; PAUL, Jason. (ed.). Jean Epstein: critical essays and new translations. Amsterdam: Amsterdam University Press, 2012.

WALL-ROMANA, Christophe. Jean Epstein: corporeal cinema and Film Philosophy. Manchester: Manchester University Press, 2016.

WALL-ROMANA, Christophe. From Lyrosophy to Antiphilosophy: the thought of cinema in Jean Epstein. In: HERZOGENRATH, Bernd (ed.). Film as Philosophy. Minneapolis: University of Minnesota Press, 2017.

WHITEHEAD, Alfred North. O conceito de natureza. São Paulo: Martins Fontes, 1994.

WHITEHEAD, Alfred North. Process and reality. New York: Free Press, 1978.

Published

2020-01-01

How to Cite

BEZERRA, Julio. Antiphilosophy: Jean Epstein and speculative realism. Intexto, Porto Alegre, n. 48, p. 229–245, 2020. DOI: 10.19132/1807-8583202048.229-245. Disponível em: https://seer.ufrgs.br/index.php/intexto/article/view/92947. Acesso em: 29 aug. 2025.

Issue

Section

Dossiê Teoria dos cineastas

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