Dance and expressivity: an approximation to phenomenology

Authors

  • Danieli Alves Pereira Marques UFSC
  • Aguinaldo César Surdi UNOESC
  • José Tarcísio Grunennvaldt UFMT
  • Elenor Kunz UFSC

DOI:

https://doi.org/10.22456/1982-8918.26494

Keywords:

Dance. Expressivity. Self-body.

Abstract

Abstract: This assay aims at reading the dance from a phenomenological perspective, comprehending how it gets close to that conception, considering that it is a human and creative expression. The purpose of that reflection is to emphasize the dance, which is a form of art and culture, as an endless possibility of creation and human resignification. As an opening to the other in time and space, the dancing experience sprouts again in a new space-time living, remaining open to different ways of interpretation, refreshing significance, which is intentioned as much by who dances as by who appreciates it.

 

 

 

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Author Biographies

Danieli Alves Pereira Marques, UFSC

Mestre em Educação Física pela Universidade Federal de Santa Catarina (UFSC). Especialista em Dança e Consciência Corporal pela Universidade Gama Filho (UGF)

Aguinaldo César Surdi, UNOESC

Doutorando em Educação Física – UFSC. Professor da UNOESC, Videira, SC.

José Tarcísio Grunennvaldt, UFMT

Doutor em Educação. Pós-doutorando em Educação Física – UFSC. Professor da UFMT.

Elenor Kunz, UFSC

Doutor em Educação Física. Professor do Centro de Desportos e do Programa de Pós Graduação em Educação Física – UFSC.

Published

2012-11-04

How to Cite

PEREIRA MARQUES, Danieli Alves; SURDI, Aguinaldo César; GRUNENNVALDT, José Tarcísio; KUNZ, Elenor. Dance and expressivity: an approximation to phenomenology. Movimento, [S. l.], v. 19, n. 1, p. 243–263, 2012. DOI: 10.22456/1982-8918.26494. Disponível em: https://seer.ufrgs.br/index.php/Movimento/article/view/26494. Acesso em: 17 oct. 2026.

Issue

Section

Essays

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