n. 50, set./dez. 2020

Presentation

Apresentação

Comissão Editorial Intexto

1-3
- PDF (Português (Brasil))

Articles

Jurandy surfs on an alligator playing Ravel’s Bolero

Heloísa de Araújo Duarte Valente

23-43
- PDF (Português (Brasil))
Pink Orange Red: interpretation, meaning and presence in Cocteau Twins’ songs

Aline Gabrielle Renner, Marcelo Bergamin Conter

44-58
- PDF (Português (Brasil))
“Memory is an editing booth": notes and thoughts about ways of production and dissemination of images through the #tbt hashtag in Instagram.

Cândida Maria Nobre de Almeida Moraes, Maria das Graças Pinto Coelho

59-73
- PDF (Português (Brasil))
Sacred-profane cruelty and eroticism in Lars von Trier’s depression trilogy

Leda Tenório da Motta, Marcelo dos Santos Matos

74-89
- PDF (Português (Brasil))
Lars von Trier. Sacred-profane. Cruelty. Eroticism. Cinema.

Talita Souza Magnolo, Ramsés Albertoni Barbosa, Christina Ferraz Musse

90-110
- PDF (Português (Brasil))
Ingmar Bergman's magic moments

Atílio Avancini

111-126
- PDF (Português (Brasil))
Thank God I’m an atheist: the criticism of priesthood in the cinema of Luis Buñuel

Fabiano Pereira de Souza, Rogério Ferraraz

127-145
- PDF (Português (Brasil))
From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy

Carolina Oliveira do Amaral

146-160
- PDF (Português (Brasil))
Proletarian world view in Medvedkine groups cinema.

Leonardo Gomes Esteves

161-177
- PDF (Português (Brasil))
On Isolated Bodies in the Image: The Mise en scène in There Will Be Blood (2007), By Paul Thomas Anderson

Thiago da Silva Rabelo, Rosana Maria Ribeiro Borges

178-198
- PDF (Português (Brasil))
New aesthetic horizon: notes on intentional construction in Brazilian short films

Cristiana Magalhães de Carvalo Azevedo, Potiguara Mendes da Silveira Jr, Marília Xavier de Lima

199-221
- PDF (Português (Brasil))
Silencing, controlled visibility or representativeness? What is this black in Guilhermina e Candelário

Renata Barreto Malta, Roseli Pereira Nunes Bastos, Cândida Santos de Oliveira

222-242
- PDF (Português (Brasil))
The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives

Robson Evangelista dos Santos Filho, Mariana Ramalho Procópio Xavier

243-262
- PDF (Português (Brasil))
Professional identity, journalistic tribe and divergente dynamics of News production: the narrative of secondary roads of Bru Rovira

Mauro de Souza Ventura, Tayane Aidar Abib

263-279
- PDF (Português (Brasil))
Journalistic tribe. Professional identity. Unhappenings journalism. Narrative complexity. Bru Rovira.

Jessica Bazzo, Dalton Lopes Martins, Filipe Augusto Couto Barbosa

280-302
- PDF (Português (Brasil))
Place and time: Bento Rodrigues at Lampião

Karina Gomes Barbosa, André Luís Carvalho

303-325
- PDF (Português (Brasil))
Poetics of time on João Anzanello Carrascoza’s work: narrative and style in Tempo Justo

Míriam Cristina Carlos Silva, João Paulo Hergesel, Isabella Pichiguelli

326-341
- PDF (Português (Brasil))

Interview

Semiotics. Science. Politics. Pragmaticism. Charles Peirce.

Alexandre Rocha da Silva

4-22
- PDF (Português (Brasil))

Editorial Staff

Expediente

342-346
- PDF (Português (Brasil))

Editorial Policy

Política Editorial

Comissão Editorial Intexto

347-348
- PDF (Português (Brasil))

Publication Guidelines

Normas para publicação

Comissão Editorial Intexto

349-362
- PDF (Português (Brasil))

n. 50, set./dez. 2020

Presentation

Apresentação

Articles

Jurandy surfs on an alligator playing Ravel’s Bolero

Pink Orange Red: interpretation, meaning and presence in Cocteau Twins’ songs

“Memory is an editing booth": notes and thoughts about ways of production and dissemination of images through the #tbt hashtag in Instagram.

Sacred-profane cruelty and eroticism in Lars von Trier’s depression trilogy

Lars von Trier. Sacred-profane. Cruelty. Eroticism. Cinema.

Ingmar Bergman's magic moments

Thank God I’m an atheist: the criticism of priesthood in the cinema of Luis Buñuel

From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy

Proletarian world view in Medvedkine groups cinema.

On Isolated Bodies in the Image: The Mise en scène in There Will Be Blood (2007), By Paul Thomas Anderson

New aesthetic horizon: notes on intentional construction in Brazilian short films

Silencing, controlled visibility or representativeness? What is this black in Guilhermina e Candelário

The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives

Professional identity, journalistic tribe and divergente dynamics of News production: the narrative of secondary roads of Bru Rovira

Journalistic tribe. Professional identity. Unhappenings journalism. Narrative complexity. Bru Rovira.

Place and time: Bento Rodrigues at Lampião

Poetics of time on João Anzanello Carrascoza’s work: narrative and style in Tempo Justo

Interview

Semiotics. Science. Politics. Pragmaticism. Charles Peirce.

Editorial Staff

Expediente

Editorial Policy

Política Editorial

Publication Guidelines

Normas para publicação

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Language

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