n. 50, set./dez. 2020

View n. 50, set./dez. 2020

Date of publication: 08/31/2020

Published: 2020-08-31

Presentation

  • Apresentação

    Comissão Editorial Intexto
    1-3
    DOI: https://doi.org/10.19132/1807-8583202050.1-3

Articles

  • Jurandy surfs on an alligator playing Ravel’s Bolero

    Heloísa de Araújo Duarte Valente
    23-43
    DOI: https://doi.org/10.19132/1807-8583202050.23-43

  • Pink Orange Red: interpretation, meaning and presence in Cocteau Twins’ songs

    Aline Gabrielle Renner, Marcelo Bergamin Conter
    44-58
    DOI: https://doi.org/10.19132/1807-8583202050.44-58

  • “Memory is an editing booth": notes and thoughts about ways of production and dissemination of images through the #tbt hashtag in Instagram.

    Cândida Maria Nobre de Almeida Moraes, Maria das Graças Pinto Coelho
    59-73
    DOI: https://doi.org/10.19132/1807-8583202050.59-73

  • Sacred-profane cruelty and eroticism in Lars von Trier’s depression trilogy

    Leda Tenório da Motta, Marcelo dos Santos Matos
    74-89
    DOI: https://doi.org/10.19132/1807-8583202050.74-89

  • Lars von Trier. Sacred-profane. Cruelty. Eroticism. Cinema.

    Talita Souza Magnolo, Ramsés Albertoni Barbosa, Christina Ferraz Musse
    90-110
    DOI: https://doi.org/10.19132/1807-8583202050.90-110

  • Ingmar Bergman's magic moments

    Atílio Avancini
    111-126
    DOI: https://doi.org/10.19132/1807-8583202050.111-126

  • Thank God I’m an atheist: the criticism of priesthood in the cinema of Luis Buñuel

    Fabiano Pereira de Souza, Rogério Ferraraz
    127-145
    DOI: https://doi.org/10.19132/1807-8583202050.127-145

  • From ‘Meet Cute’ to happy ending: love in Richard Linklater’s Before trilogy

    Carolina Oliveira do Amaral
    146-160
    DOI: https://doi.org/10.19132/1807-8583202050.146-160

  • Proletarian world view in Medvedkine groups cinema.

    Leonardo Gomes Esteves
    161-177
    DOI: https://doi.org/10.19132/1807-8583202050.161-177

  • On Isolated Bodies in the Image: The Mise en scène in There Will Be Blood (2007), By Paul Thomas Anderson

    Thiago da Silva Rabelo, Rosana Maria Ribeiro Borges
    178-198
    DOI: https://doi.org/10.19132/1807-8583202050.178-198

  • New aesthetic horizon: notes on intentional construction in Brazilian short films

    Cristiana Magalhães de Carvalo Azevedo, Potiguara Mendes da Silveira Jr, Marília Xavier de Lima
    199-221
    DOI: https://doi.org/10.19132/1807-8583202050.199-221

  • Silencing, controlled visibility or representativeness? What is this black in Guilhermina e Candelário

    Renata Barreto Malta, Roseli Pereira Nunes Bastos, Cândida Santos de Oliveira
    222-242
    DOI: https://doi.org/10.19132/1807-8583202050.222-242

  • The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives

    Robson Evangelista dos Santos Filho, Mariana Ramalho Procópio Xavier
    243-262
    DOI: https://doi.org/10.19132/1807-8583202050.243-262

  • Professional identity, journalistic tribe and divergente dynamics of News production: the narrative of secondary roads of Bru Rovira

    Mauro de Souza Ventura, Tayane Aidar Abib
    263-279
    DOI: https://doi.org/10.19132/1807-8583202050.263-279

  • Journalistic tribe. Professional identity. Unhappenings journalism. Narrative complexity. Bru Rovira.

    Jessica Bazzo, Dalton Lopes Martins, Filipe Augusto Couto Barbosa
    280-302
    DOI: https://doi.org/10.19132/1807-8583202050.280-302

  • Place and time: Bento Rodrigues at Lampião

    Karina Gomes Barbosa, André Luís Carvalho
    303-325
    DOI: https://doi.org/10.19132/1807-8583202050.303-325

  • Poetics of time on João Anzanello Carrascoza’s work: narrative and style in Tempo Justo

    Míriam Cristina Carlos Silva, João Paulo Hergesel, Isabella Pichiguelli
    326-341
    DOI: https://doi.org/10.19132/1807-8583202050.326-341

Interview

  • Semiotics. Science. Politics. Pragmaticism. Charles Peirce.

    Alexandre Rocha da Silva
    4-22
    DOI: https://doi.org/10.19132/1807-8583202050.4-22

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