Refractions of the movie film concept in Rogério Sganzerla’s work
DOI:
https://doi.org/10.19132/1807-8583202048.44-64Keywords:
Rogério Sganzerla. Brazilian cinema. Film critic. Dialogism. Metalanguage.Abstract
The article examines the critical-creative thinking of the filmmaker Rogério Sganzerla (1946-2004), crossing his theoretical production with constructive procedures of The Red Light Bandit (1968), his debut in the direction of feature films. Our hypothesis is that the look at Sganzerla’s system of production reveals, beyond an application of its critical formulations in its filmic work, the way in which his thoughts are configured in order to consider the dialogue – both in critical texts and in the context of diegesis – as an implicit element in the organization of a theoretical-critical-creative system.
Downloads
References
AUMONT, Jaques. As teorias dos cineastas. Campinas: Papirus, 2012.
BAKHTIN, Mikhail. Os gêneros do discurso. São Paulo: Editora 34, 2016.
BAKHTIN, Mikhail. Problemas da poética de Dostoiévski. Rio de Janeiros: Grupo Gen, Editora Forense, 2013.
BERNADET, Jean-Claude. O vôo dos anjos. São Paulo: Brasiliense, 1990.
BERNADET, Jean-Claude. Universo sonoro. In: Ocupação Rogério Sganzerla. São Paulo: Itaú Cultural, 2010. Vídeo: Youtube. Disponível em: https://www.youtube.com/watch?v=JDYPYV14LCw. Acesso em: 4 jan. 2017.
MACHADO, Irene. Dramaturgia sonoro-acústica em espaços cinemáticos. Revista Famecos, Porto Alegre, v. 25, p. 1-18, 2018.
MACHADO, Irene. Forma espacial da personagem como acontecimento estético cronotopicamente configurado. Bakhtiniana, Revista de Estudos do Discurso, São Paulo, 2017, vol.12, n.2, p.79-105.
NORONHA, Danielle. Edgar Brasil: o patrono dos diretores de fotografia brasileiros. Associação Brasileira de Cinematografia, 2017. Disponível em: <https://abcine.org.br/site/edgar-brasil-o-patrono-dos-diretores-de-fotografia-brasileiros/>. Acesso em: 30 abr. 2019.
O BANDIDO da Luz Vermelha. Direção: Rogério Sganzerla. Brasil: Urano Filmes, 1968. 92 min.
O PASQUIM. Helena – a mulher de todos – e o seu homem. Rio de Janeiro, n. 33, 5-11 fevereiro de 1970. Disponível em: www.contracampo.com.br/27/frames/sganpasquim.htm. Acesso: 23/04/2019.
SGANZERLA, Rogério. Por um cinema sem limite. Rio de Janeiro: Azougue, 2001.
SGANZERLA, Rogério. Tudo é Brasil. Joinville: Editora Letradágua, 2005.
XAVIER, Ismail. Cinema brasileiro moderno. São Paulo: Paz e Terra, 2001.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Irene de Araújo Machado, Daniel Felipe Espinola Lima Fonseca
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The copyright of works published in this journal belong to the authors, and the right of first publication is conceded to the journal. Due to the journal being of open access, the articles are of free use in research, educational and non-commercial activities.
Therefore, the journal uses the License Creative Commons Attribution (CC BY-NC 4.0), which allows sharing of work with acknowledgment of authorship.
Self-archiving (repository policy): authors are allowed to deposit all versions of their work in institutional or thematic repositories without embargo. It is requested, whenever possible, that the full bibliographic reference of the version published in Intexto (including the DOI link) be added to the archived text.
Intexto does not charge any article processing fees (article processing charge).
