Vol. 13 No. 3 (2023): Jul./Set.2023

Editorial

Expediente

1-3
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Masthead

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Dance, Violence, and Conflict

To dance wrong side out: Artaud, Mbembe and dance as a visceral insurgency of the body-without-organs Artaud, Mbembe e a dança como insurgência visceral do corpo-sem-órgãos

Marina de Nóbile da Silveira, Luciana da Costa Dias (Author)

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To dance wrong side out: Artaud, Mbembe and dance as a visceral insurgency of the body without organs Artaud, Mbembe and dance as a visceral insurgency of the body without organs

Marina de Nóbile da Silveira, Luciana da Costa Dias (Author)

1-28
- ACESSO / ACCESS / ACCÈS
ARTISTIC STRATEGIES AGAINST NECROPOLITICS THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)

Diogo Angeli, Marcelo Rocco (Author)

1-27
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Artistic Strategies in the screendance Fôlego slavery and necropolitics in Campinas (SP-Brazil)

Diogo Angeli, Marcelo Rocco (Author)

1-27
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Monstruosidades, Corpo e Criação estratégias para se dançar com o infamiliar

Marcos Katu Buiati (Author)

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- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Monstrosities, Body and Creation: strategies for dancing with the unfamiliar strategies for dancing with the unfamiliar

Marcos Katu Buiati (Author)

1-26
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Correntes do Conhecimento o bailado do Santo Daime como dança decolonial1

Ana Flecha (Author)

1-27
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Currents of knowledge The Santo Daime bailado as danced resistance against epistemicide

Ana Flecha (Author)

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Other Themes

Takarazuka Revue acting methodology, scenic atmosphere and genre performance in Japanese musical theater

Daniel Ribeiro Fernandes Aleixo (Author)

1-26
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Takarazuka Revue acting, atmosphere and gender in Japanese musical

Daniel Ribeiro Fernandes Aleixo (Author)

1-26
- ACESSO / ACCESS / ACCÈS
RESIGNIFYING DRIVING ALTERNATIVE PROPOSALS FOR COMMUNICATION IN BALLROOM DANCES

Robson Teixeira Porto, Vera Lúcia Bertoni dos Santos (Author)

1-31
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Resignifying the Action of Conducting in Ballroom Dance: a bibliographical review of academic productions

Robson Teixeira Porto, Vera Bertoni (Author)

1-31
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GRUA Gentlemens de Rua: group creation processes and a look at the crisis. modos de produção e comunicação de um processo de criação em tempos de crise

Wagner Miranda Dias, Cecilia Almeida Salles (Author)

1-31
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
GRUA Gentlemen de Rua modes of production and communication of a creation process in times of crisis

Wagner Miranda Dias, Cecilia Almeida Salles (Author)

1-31
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Before the performance: Contributions of speculative pragmatism to the sociology of art

Daniela Felix Martins (Author)

1-29
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Before the Performance: contributions of speculative pragmatism to the sociology of art contributions of speculative pragmatism to the sociology of art

Daniela Felix Martins (Author)

1-29
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Somatic approaches in the training of dance: From the dryness of the background to curriculum as cartography da secura do fundo ao currículo como cartografia

Marina Campos Magalhães (Author)

1-28
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Somatic Approaches in the Educational Formation in Dance: from the dryness of the background to curriculum as cartography from the dryness of the background to curriculum as cartography

Marina Campos Magalhães (Author)

1-27
- ACESSO / ACCESS / ACCÈS

Editorial

Expediente

Masthead

Dance, Violence, and Conflict

To dance wrong side out: Artaud, Mbembe and dance as a visceral insurgency of the body-without-organs Artaud, Mbembe e a dança como insurgência visceral do corpo-sem-órgãos

To dance wrong side out: Artaud, Mbembe and dance as a visceral insurgency of the body without organs Artaud, Mbembe and dance as a visceral insurgency of the body without organs

ARTISTIC STRATEGIES AGAINST NECROPOLITICS THE VIDEODANCE FÔLEGO AND THE TRACES OF SLAVERY CAMPINEIRA (SP)

Artistic Strategies in the screendance Fôlego slavery and necropolitics in Campinas (SP-Brazil)

Monstruosidades, Corpo e Criação estratégias para se dançar com o infamiliar

Monstrosities, Body and Creation: strategies for dancing with the unfamiliar strategies for dancing with the unfamiliar

Correntes do Conhecimento o bailado do Santo Daime como dança decolonial1

Currents of knowledge The Santo Daime bailado as danced resistance against epistemicide

Other Themes

Takarazuka Revue acting methodology, scenic atmosphere and genre performance in Japanese musical theater

Takarazuka Revue acting, atmosphere and gender in Japanese musical

RESIGNIFYING DRIVING ALTERNATIVE PROPOSALS FOR COMMUNICATION IN BALLROOM DANCES

Resignifying the Action of Conducting in Ballroom Dance: a bibliographical review of academic productions

GRUA Gentlemens de Rua: group creation processes and a look at the crisis. modos de produção e comunicação de um processo de criação em tempos de crise

GRUA Gentlemen de Rua modes of production and communication of a creation process in times of crisis

Before the performance: Contributions of speculative pragmatism to the sociology of art

Before the Performance: contributions of speculative pragmatism to the sociology of art contributions of speculative pragmatism to the sociology of art

Somatic approaches in the training of dance: From the dryness of the background to curriculum as cartography da secura do fundo ao currículo como cartografia

Somatic Approaches in the Educational Formation in Dance: from the dryness of the background to curriculum as cartography from the dryness of the background to curriculum as cartography

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