Brazilian Journal on Presence Studies

About the Journal

This journal is owned and managed by GETEPE-Grupo de Estudos em Educação, Teatro e Performnace, from the Universidade Federal do Rio Grande do Sul, Brazil

Announcements

Due to technical problems, submissions are suspended indefinitely

2025-01-15

Read more about Due to technical problems, submissions are suspended indefinitely

Current Issue

Vol. 15 No. 1 (2025): Jan./Mar. 2025

Published: 2025-04-29

Editorial

Contemporary Topics IV

(In)visibilities of the body in the circus mapping outreach actions in brazilian universities

Rita de Cassia Fernandes, Terezinha Petrucia da Nóbrega (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
(In)visibilities of the Body in the Circus: mapping university extension initiatives in Brazilian universities

Rita de Cassia Fernandes, Rita (Author)
- ACESSO / ACCESS / ACCÈS
Expiatory body the paranoid-critical method as dance practice

Rafael Barzagli Oliveira, Odilon José Roble (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Escapebody: the paranoiac-critical method as dance practice

Rafael Barzagli Oliveira, Odilon José Roble (Author)
- ACESSO / ACCESS / ACCÈS
A Linha que nos Divide: o teatro negro racializando a branquitude

Amanda Cunha (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Line that Divides us: black theater racializing whiteness

Amanda Cunha (Author)
- ACESSO / ACCESS / ACCÈS
Ailton Krenak, pessoa-poesia em performance

Míriam Cristina Carlos Silva, Florence Dravet (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Ailton Krenak, person-poetry in performance

Míriam Silva, Florence Dravet (Author)
- ACESSO / ACCESS / ACCÈS
Decompondo a Cena: gênero, comunidade, raça e dança como zona de contato em Mimosa / Twenty Looks or Paris is Burning

Stefania Lodi Rizzini (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Decomposing the Scene: gender, community, race, and dance as a contact zone in Mimosa / Twenty Looks or Paris is Burning

Stefania Lodi Rizzini (Author)
- ACESSO / ACCESS / ACCÈS
A Pele de Vênus: análise de uma obra artística no teatro e no cinema à luz do grande tempo

João Vítor Zanato de Carvalho Ribeiro, Ana Claudia Balieiro Lodi (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Venus in Fur: analysis of an artistic work in theater and cinema in the light of great time

João Vítor Zanato de Carvalho Ribeiro, Ana Claudia Balieiro Lodi (Author)
- ACESSO / ACCESS / ACCÈS
The Dramaturgy of the dialogue between dance and music in the choreography Véspera: a choreomusical analysis

Tatiana Avanço (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Dramaturgy of the dialogue between dance and music in the choreography Véspera: a choreomusical analysis

Tatiana Avanço (Author)
- ACESSO / ACCESS / ACCÈS
From the Song of the Sirens to the Sound of Sirens

Charles Feitosa (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
From the “Siren’s Song” to the Noise of Sirens

Charles Feitosa (Author)
- ACESSO / ACCESS / ACCÈS
Under penalty of death: reveries of justice in Morris e Kieślowski devaneios da justiça em Morris e Kieślowski

Dinaldo Filho (Author)
- ACESSO / ACCESS / ACCÈS (Português (Brasil))
Under Penalty of Death: reveries of justice in Morris and Kieślowski

Dinaldo Filho (Author)
- ACESSO / ACCESS / ACCÈS

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Brazilian Journal on Presence Studies

About the Journal

Announcements

Due to technical problems, submissions are suspended indefinitely

Current Issue

Editorial

Expediente

Masthead

Contemporary Topics IV

(In)visibilities of the body in the circus mapping outreach actions in brazilian universities

(In)visibilities of the Body in the Circus: mapping university extension initiatives in Brazilian universities

Expiatory body the paranoid-critical method as dance practice

Escapebody: the paranoiac-critical method as dance practice

A Linha que nos Divide: o teatro negro racializando a branquitude

The Line that Divides us: black theater racializing whiteness

Ailton Krenak, pessoa-poesia em performance

Ailton Krenak, person-poetry in performance

Decompondo a Cena: gênero, comunidade, raça e dança como zona de contato em Mimosa / Twenty Looks or Paris is Burning

Decomposing the Scene: gender, community, race, and dance as a contact zone in Mimosa / Twenty Looks or Paris is Burning

A Pele de Vênus: análise de uma obra artística no teatro e no cinema à luz do grande tempo

Venus in Fur: analysis of an artistic work in theater and cinema in the light of great time

The Dramaturgy of the dialogue between dance and music in the choreography Véspera: a choreomusical analysis

Dramaturgy of the dialogue between dance and music in the choreography Véspera: a choreomusical analysis

From the Song of the Sirens to the Sound of Sirens

From the “Siren’s Song” to the Noise of Sirens

Under penalty of death: reveries of justice in Morris e Kieślowski devaneios da justiça em Morris e Kieślowski

Under Penalty of Death: reveries of justice in Morris and Kieślowski

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