The cinema between memory and documentary

Authors

  • Andréa França PUC-RIO

Keywords:

Documentary. Historical memory. Spectator.

Abstract

This essay investigates the relationship between documentary movies, historical memory and the place of the contemporary spectator. It takes Andrea Tonacci’s Serra da Desordem (2004) in order to think such issues as well the multiple faces of the documentary: record, witness, sociological essay and voyeurism.

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Author Biography

Andréa França, PUC-RIO

D

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Published

2009-03-16

How to Cite

França, A. “The Cinema Between Memory and Documentary”. Intexto, no. 19, Mar. 2009, pp. 18-31, https://seer.ufrgs.br/index.php/intexto/article/view/7999.

Issue

No. 19 (2008)

Section

Articles

License

Copyright (c) 2009 Andréa França

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