Skip to main content
Skip to main navigation menu
Skip to site footer
Open Menu
Current
Archives
Submissions
Editorial practices for an Open Science
About the Journal
About
Announcements
Editorial Team
Contact
Privacy Statement
Search
Register
Login
Home
/
Archives
/
Vol. 4 No. 2 (2014): maio/ago. 2014
Vol. 4 No. 2 (2014): maio/ago. 2014
Published:
2022-10-16
Editorial
Staff
167-169
PDF (Português (Brasil))
Masthead
167-169
PDF
Editorial
170-171
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Editorial
170-171
ACESSO / ACCESS / ACCÈS
Theatre and Neuroscience
Apresentação
Gabriele Sofia (Universidade Paul Valéry Montpellier 3 – Montpellier, França) (Author)
172-173
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Presentation
Gabriele Sofia (University Paul Valéry Montpellier 3 – Montpellier, France) (Author)
172-173
ACESSO / ACCESS / ACCÈS
The Perception is a Prism: body, presence and technologies
Enrico Pitozzi (Universidade de Bolonha - Bolonha, Itália) (Author)
174-204
ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Perception is a Prism: body, presence and technologies
Enrico Pitozzi (University of Bologna – Bologna, Italy) (Author)
174-204
ACESSO / ACCESS / ACCÈS
Letter for an Exchange between Scientists of Cognition
Victor Emmanuel Jacono (Universidade de Roma “La Sapienza” – Roma, Itália) (Author)
205-222
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Letter for an Exchange between Scientists of Cognition
Victor Emmanuel Jacono (University of Rome “La Sapienza” – Rome, Italy) (Author)
205-222
ACESSO / ACCESS / ACCÈS
Theatre and Neuroscience: the awakening of a new dialogue between art and science
Dorys Faria Calvert (Université de la Sorbonne Nouvelle Paris III – Paris, França) (Author)
223-248
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Theatre and Neuroscience: the awakening of a new dialogue between art and science
Dorys Faria Calvert (Université de la Sorbonne Nouvelle Paris III – Paris, France) (Author)
223-248
ACESSO / ACCESS / ACCÈS (Français (France))
The Theater and Principle of Emergentist Adhesion
Yannick Bressan (Université de Strasbourg – Estrasburgo, França) (Author)
249-262
ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Theater and Principle of Emergentist Adhesion
Yannick Bressan (Université de Strasbourg – Strasbourg, France) (Author)
249-262
ACESSO / ACCESS / ACCÈS (Français (France))
The Quest for the Unprogrammed Human Being
John Schranz (Universidade de Malta – Msida, Malta) (Author)
263-294
ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Actor’s Second Nature – Stanislavski and William James
Rose Whyman (University of Birmingham – Birmingham, Reino Unido) (Author)
295-312
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Towards a 20th Century History of Relationships between Theatre and Neuroscience
Gabriele Sofia (Universidade Paul Valéry Montpellier III – Montpellier, França) (Author)
313-332
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Towards a 20th Century History of Relationships between Theatre and Neuroscience
Gabriele Sofia (University Paul Valéry Montpellier III – Montpellier, France) (Author)
313-332
ACESSO / ACCESS / ACCÈS
Other Themes
Innovation and Meaning in the Performing Arts
José Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil) (Author)
333-350
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Innovation and Meaning in the Performing Arts
José Tonezzi (Universidade Federal da Paraíba – João Pessoa/PB, Brasil) (Author)
333-350
ACESSO / ACCESS / ACCÈS (Français (France))
Half-opened Doors: an ethnographic account from a drama play with prison inmates – beyond the show…
Micael Côrtes (Universidade Federal do Acre – Rio Branco/AC, Brasil) (Author)
351-376
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Body Communicative Actions and their Meaning in the Educational Context
Djavan Antério (Universidade Federal da Paraíba – João Pessoa/PB, Brasil) (Author)
377-392
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Current Issue
Information
For Readers
For Authors
For Librarians
Language
English
Français (France)
Português (Brasil)
Make a Submission
Make a Submission
Keywords