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Vol. 3 No. 3 (2013): set./dez. 2013
Vol. 3 No. 3 (2013): set./dez. 2013
Published:
2022-10-16
Editorial
Staff
659-661
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Editorial
662-664
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Postdramatic Theatre in Argentina
An Introduction: "Postramatic experiences in the Argentine scene"
Beatriz Alicia Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
665-670
ACESSO / ACCESS / ACCÈS (Español (España))
Acting in Argentine Postdramatic Theatre
Karina Mauro (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
671-693
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Dissonances in Presence: the body and its audiovisual extension
Isis Saz (Universidad de Castilla La Mancha - Cuenca, Espanha) (Author)
694-705
ACESSO / ACCESS / ACCÈS (Español (España))
Effects of Presence and Performance on Lola Arias’s theatre
María Fernanda Pinta (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
706-723
ACESSO / ACCESS / ACCÈS (Español (España))
Interventions in the Public Space: performance, gaze, and the city
María Laura González (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
724-737
ACESSO / ACCESS / ACCÈS (Español (España))
The Presence of Legacies in Contemporary Argentine Performances
Federico Baeza (Instituto Universitario Nacional del Arte - Buenos Aires, Argentina) (Author)
738-762
ACESSO / ACCESS / ACCÈS (Español (España))
The Staging of a Point of View and Testimony of the Bodies in Vivi Tellas’s Documentary Theatre
Pamela Brownell (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
763-779
ACESSO / ACCESS / ACCÈS (Español (España))
Intimate Rites and Ethical Proposals in Vivi Tellas’s Project Museums
Brenda Werth (American University - Washington DC, Estados Unidos da América) (Author)
780-795
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Gender Performativity and Cross Dressing through some Stagings of Genet’s The Maids
Ezequiel Lozano (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
796-807
ACESSO / ACCESS / ACCÈS (Español (España))
Transvestite Corporeality in the Poetic Deformance of Naty Menstrual
Guillermina Bevacqua (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
808-824
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To do without Thinking? To Think without Doing? Two old prejudices in the new postdramatic scene
Beatriz Alicia Trastoy (Universidad de Buenos Aires - Buenos Aires, Argentina) (Author)
825-843
ACESSO / ACCESS / ACCÈS (Español (España))
Postdramatic Theatre, 12 years later
Hans-Thies Lehmann (Johann Wolfgang Goethe-Universität Frankfurt am Main – Frankfurt, Alemanha) (Author)
844-864
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Other Themes
Psychophysical Precision in the Total Act
Lidia Olinto, Matteo Bonfitto (Universidade Estadual de Campinas - Campinas/SP, Brasil) (Author)
865-887
ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Actor’s Work and the Art of Fictionalising Oneself
Celina Nunes de Alcântara (Universidade Federal do Rio Grande do Sul - Porto Alegre/RS, Brasil) (Author)
888-906
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Actor’s Dramaturgy: pulling threads from a thick plot
Alice Stefânia Curi (Universidade de Brasília - Brasília/DF, Brasil) (Author)
907-919
ACESSO / ACCESS / ACCÈS (Português (Brasil))
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