The Staging of a Point of View and Testimony of the Bodies in Vivi Tellas’s Documentary Theatre

Authors

  • Pamela Brownell (Universidad de Buenos Aires - Buenos Aires, Argentina) Universidad de Buenos Aires (UBA) Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

Keywords:

Contemporary Argentine Theatre, Vivi Tellas, Documentary Theatre, Biodrama, Testimony

Abstract

In this article we review some theoretical approaches to
the artistic proposal of Argentine theatre director Vivi Tellas, focusing on her documentary theatre project Archivos, an expression of her wider project Biodrama. We will look into
different aspects that define her particular way of working with the real materials her performances are based on, and we will consider the possible ethical and aesthetic implications of her work. Giorgio Agamben’s notion of witness will play a special role in this analysis, since it enables us to formulate a hypothesis about the kind of testimony given by these
ordinary bodies as well as by the objects/documents Tellas brings to the stage.

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Author Biography

Pamela Brownell (Universidad de Buenos Aires - Buenos Aires, Argentina), Universidad de Buenos Aires (UBA) Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)

Profesora e investigadora del Departamento de Artes de la Facultad de Filosofía y Letras de la UBA. Becaria doctoral del CONICET.

Published

2022-10-16

How to Cite

Brownell (Universidad de Buenos Aires - Buenos Aires, Argentina), P. (2022). The Staging of a Point of View and Testimony of the Bodies in Vivi Tellas’s Documentary Theatre. Brazilian Journal on Presence Studies, 3(3), 763–779. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/39202

Issue

Section

Postdramatic Theatre in Argentina

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