Artistic Strategies in the screendance Fôlego

slavery and necropolitics in Campinas (SP-Brazil)

Auteurs

  • Diogo Angeli Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil https://orcid.org/0000-0002-7571-7175
  • Marcelo Rocco Universidade Federal de Ouro Preto – UFOP

Mots-clés :

Dance, Necropolitics, Screendance, Slavery, Campinas

Résumé

This article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular, about the city of Campinas (SP), place of creation of the work, based on the concept of necropolitics (Mbembe, 2016). Therefore, the article discusses the virtual process of creation in screendance (Angeli, 2020), contributing to the debate about the different territorialities of the performance and the political and social provocations in dance.

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Bibliographies de l'auteur

Diogo Angeli, Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil

Diogo Angeli is a performing artist, educator, researcher and videomaker. Holds a PhD and a Master’s degree in Performing Arts from Universidade Estadual de Campinas - Unicamp. Is the author of the book “A arte da Videodança: olhares intermidiáticos” [The art of Screendance: intermedial gazes] (2020), being dedicated to researching the communication of contemporary dance with other artistic and technological languages, especially screendance. Advised undergraduate students in preparing papers required for completion of the pedagogy program at Universidade Virtual do Estado de São Paulo - UNIVESP, and at Instituto Federal do Amapá - IFAP. Is a Professor of Arts and Dance in Elementary Education at Santanna International School and at the Ballet Cristiana Packer school.

Marcelo Rocco, Universidade Federal de Ouro Preto – UFOP

Marcelo Rocco is Adjunct Professor IV at Universidade Federal de Ouro Preto (UFOP) - Areas of Teaching Degree and Bachelor’s Degree in Theatre. Chairman of the Teaching Degree Collegiate Body (DEART). Has been the coordinator of the PIBID-Artes (UFOP) subproject since 2018. Is a professor, advisor and member of the collegiate body at PPGAC (UFOP). Has been a member of the Laboratory of Improvisation and Dramaturgy (LADI) research group since 2012, by the Universidade Federal de Minas Gerais (UFMG). Holds a Master’s Degree and a PhD in Arts from the Universidade Federal de Minas Gerais (UFMG).

Publiée

2023-07-06

Comment citer

Angeli, D., & Rocco, M. (2023). Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil). Révue Brésilienne d’Études De La Présence, 13(3), 1–27. Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/130862

Numéro

Rubrique

Dance, violence et conflit

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