Artistic Strategies in the screendance Fôlego

slavery and necropolitics in Campinas (SP-Brazil)

Authors

  • Diogo Angeli Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil https://orcid.org/0000-0002-7571-7175
  • Marcelo Rocco Universidade Federal de Ouro Preto – UFOP

Keywords:

Dance, Necropolitics, Screendance, Slavery, Campinas

Abstract

This article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular, about the city of Campinas (SP), place of creation of the work, based on the concept of necropolitics (Mbembe, 2016). Therefore, the article discusses the virtual process of creation in screendance (Angeli, 2020), contributing to the debate about the different territorialities of the performance and the political and social provocations in dance.

Downloads

Download data is not yet available.

Author Biographies

Diogo Angeli, Universidade Estadual de Campinas – UNICAMP, Campinas/SP, Brazil

Diogo Angeli is a performing artist, educator, researcher and videomaker. Holds a PhD and a Master’s degree in Performing Arts from Universidade Estadual de Campinas - Unicamp. Is the author of the book “A arte da Videodança: olhares intermidiáticos” [The art of Screendance: intermedial gazes] (2020), being dedicated to researching the communication of contemporary dance with other artistic and technological languages, especially screendance. Advised undergraduate students in preparing papers required for completion of the pedagogy program at Universidade Virtual do Estado de São Paulo - UNIVESP, and at Instituto Federal do Amapá - IFAP. Is a Professor of Arts and Dance in Elementary Education at Santanna International School and at the Ballet Cristiana Packer school.

Marcelo Rocco, Universidade Federal de Ouro Preto – UFOP

Marcelo Rocco is Adjunct Professor IV at Universidade Federal de Ouro Preto (UFOP) - Areas of Teaching Degree and Bachelor’s Degree in Theatre. Chairman of the Teaching Degree Collegiate Body (DEART). Has been the coordinator of the PIBID-Artes (UFOP) subproject since 2018. Is a professor, advisor and member of the collegiate body at PPGAC (UFOP). Has been a member of the Laboratory of Improvisation and Dramaturgy (LADI) research group since 2012, by the Universidade Federal de Minas Gerais (UFMG). Holds a Master’s Degree and a PhD in Arts from the Universidade Federal de Minas Gerais (UFMG).

Downloads

Published

2023-07-06

How to Cite

Angeli, D., & Rocco, M. (2023). Artistic Strategies in the screendance Fôlego: slavery and necropolitics in Campinas (SP-Brazil). Brazilian Journal on Presence Studies, 13(3), 1–27. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/130862

Issue

Vol. 13 No. 3 (2023): Jul./Set.2023

Section

Dance, Violence, and Conflict

License

Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.

Licença Creative Commons This journal use a Licença de Atribuição Creative Commons.

Similar Articles

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.