Black Theater, Black Performance

Auteurs

  • Jordana Dolores Peixoto Universidade Federal de Goiás
  • Renata de Lima Silva Universidade Federal de Goiás

Mots-clés :

performance, black poetics, black performance, black theater, black movement

Résumé

This article discusses the concept of Black Performance, which, associated with the Black Movement, consists of a set of expressive manifestations, from ritual to spectacle, which scenically organize modes of existing and resisting of the black people in the African diaspora. The methodological design consists in an approach from macro to micro elements, starting with a general definition of Black Movement, then questioning the concept of Black Performance as a category that can encompass both traditional ritualistic performances and artistic performances in the languages of theater, dance and performing art. Finally, Black Theater is considered as the focus of analysis based on its historical aspects.

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Biographie de l'auteur

Renata de Lima Silva , Universidade Federal de Goiás

Renata de Lima Silva (Kabilaewatala) é doutora em Artes (2010) pelo Programa de Pós-graduação em Artes da Unicamp. Mestre também na Unicamp (2004). É professora do curso de Licenciatura em Dança, do Programa de Pós-graduação Interdisciplinar em Performances Culturais e do Programa de Pós-graduação em Artes da Cena da Universidade Federal de Goiás.  Também é artista-pesquisadora e diretora artística do Núcleo Coletivo 22 e capoeirista de Centro de Capoeira Angola Angoleiro Sim Sinhô.

Publiée

2022-10-27

Comment citer

Peixoto, J. D., & de Lima Silva , R. (2022). Black Theater, Black Performance. Révue Brésilienne d’Études De La Présence, 12(4), 1–21. Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/126853

Numéro

Rubrique

Poétiques noires dans la scène contemporaine