Diluted Presence in Rouge Mékong: a proposition for the intermedial scene

Authors

  • Fernanda Areias Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brasil) Universidade Federal do Maranhão
  • Marta Isaacsson DAD/UFRGS
  • Maria Cristina Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil) IA/UFRGS

Keywords:

Presence Effect, Intermedial Scene, Perception, Immersion and Interdisciplinarity

Abstract

In this paper it is described the presence mediated by imaging devices. It is focused on the contemporary intermedial scene, emerging as the highlighted study Rouge Mékong, an immersive spectacle developed by Collectif Lebovitz, a Canadian interdisciplinary collective of artists. This experience will guide us as a systematization of the presence effect concept, developed by Josette Féral, and investigated here as a constituent of the dramaturgy of this spectacle. It is also investigated the presentation of discussions focused on the presence of the actor mediated by virtual image technology and the expectations of perception on the audience raised by Auslander (2008), Féral (2012) and Lehmann (2007) when in relation to the intermedial scene.

Downloads

Download data is not yet available.

Author Biography

Fernanda Areias Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brasil), Universidade Federal do Maranhão

Professora Adjunta e pesquisadora vinculada ao curso de Licenciatura em Teatro da Universidade Federal do Maranhão, pertencente ao departamento de Arte.Coordena o grupo de pesquisa LabTecDrama, laboratório de pesquisa associado ao departamento de arte que desenvolve pesquisas acerca da formação de professores de teatro e novas metodologias para media art. Coordenadora pedagógica do pólo Arte na Escola/UFMA. Bacharel em Artes Cênicas-Habilitação Direção Teatral pela UFRJ e licenciada em Educação Artística pela Universidade Candido Mendes (UCAM).Mestre em Educação, Arte e História da Cultura na Universidade Presbiteriana Mackenzie(UPM/SP). Sua área de pesquisa é voltada para questões de encenação , teledramaturgia , arte educação e media art. Doutora em informática na educação na UFRGS.

Downloads

Published

2022-10-04

How to Cite

Oliveira (Universidade Federal do Maranhão – UFMA, São Luís/MA, Brasil), F. A., Isaacsson, M., & Biasuz (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil), M. C. (2022). Diluted Presence in Rouge Mékong: a proposition for the intermedial scene. Brazilian Journal on Presence Studies, 7(3), 601–625. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/69774

Issue

Vol. 7 No. 3 (2017): Set./Dez. 2017

Section

Presence and its Relation Fields

License

Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.

Licença Creative Commons This journal use a Licença de Atribuição Creative Commons.

Most read articles by the same author(s)