First-person Narrative in the Performative Practice of Marginalized Women and Decolonial Knowledge Production

Authors

Keywords:

Performance. Women Artists, Decoloniality, Embodiment, Artistic Practice

Abstract

First-Person Narrative in the Performative Practice of Marginalized Women and Decolonial Knowledge Production – The essay proposes a dialogue between feminist decolonial thinking and performance art, as they connect to my own experience in these fields. Based on the understanding that the decolonial perspective puts all Western conceptual and methodological categorizations under critical scrutiny, my objective is to advance discussion of performance by marginalized women, seeking to understand their role in the production of shared meanings through disruptive and anti-colonial writing. To this end, I examine performative actions that deploy such practices, which I understand as initiatives toward decolonization through embodied expression

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Author Biography

Caroline Dias de Oliveira Silva, UFBA

Mulher sapatão sertaneja artêra artesã performêra escritora andarilha produtora pesquisadora poeta

Published

2021-01-26

How to Cite

Silva, C. D. de O. (2021). First-person Narrative in the Performative Practice of Marginalized Women and Decolonial Knowledge Production. Brazilian Journal on Presence Studies, 11(1), 01–27. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/106626

Issue

Section

Contemporary topics II

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