Imagens do escuro: reflexões sobre subjetividades invisíveis / Images of the darkness: reflections on invisible subjectivities
DOI:
https://doi.org/10.22456/2238-152X.61374Abstract
Abstract
This paper examines the epistemological model based upon the Enlightenment paradigm that underlies Modern Western thought and discusses other forms of writing and production of knowledge. Based on the the work of Michel Foucault, Walter Benjamin, Giorgio Agamben and others, we consider the production of knowledge in darkness. We start out with an evaluation of the effects of an epistemology of light and the potential of thought in the absence of light. We present an analysis of the relationship of that epistemology with forms of organization and urban lighting, as well as the production of invisible subjectivities. In a writing exercise conducted in a zone of shadows, we relate a story which binds the production of light and shadow and their productive power within contemporary urban society. Finally, this study affirms the power of shadows and the need to devise strategies that allow us to write in or with darkness and with those invisible subjectivities which inhabit it.
Keywords: epistemology, writing, cities, subjectivities, power
Resumo
Nesse artigo refletimos sobre o modelo epistemológico pautado na ideia de luzes constituinte do pensamento Ocidental Moderno, discutindo outras formas de escrever e produzir conhecimento. A partir de autores como Michel Foucault, Walter Benjamin e Giorgio Agamben, propomos uma reflexão sobre a produção do conhecimento no escuro. Iniciamos abordando os efeitos da epistemologia da luminosidade e a potência de se pensar nas sombras. Em seguida, analisamos a relação dessa epistemologia com as formas de organização e iluminação das cidades e a produção de subjetividades invisíveis. Em um exercício de escrita a partir de uma zona sombria, trazemos uma história que amarra a produção de luzes e sombras e seu poder produtivo na sociedade urbana contemporânea. Ao final, afirmamos a potência das sombras e a necessidade de construção de estratégias que nos permitam escrever no e com o escuro e com aquelas subjetividades invisíveis que o habitam.
Palavras-chave: epistemologia, escrita, cidade, subjetividades, potência
Abstract
This paper examines the epistemological model based upon the Enlightenment paradigm that underlies Modern Western thought and discusses other forms of writing and production of knowledge. Based on the the work of Michel Foucault, Walter Benjamin, Giorgio Agamben and others, we consider the production of knowledge in darkness. We start out with an evaluation of the effects of an epistemology of light and the potential of thought in the absence of light. We present an analysis of the relationship of that epistemology with forms of organization and urban lighting, as well as the production of invisible subjectivities. In a writing exercise conducted in a zone of shadows, we relate a story which binds the production of light and shadow and their productive power within contemporary urban society. Finally, this study affirms the power of shadows and the need to devise strategies that allow us to write in or with darkness and with those invisible subjectivities which inhabit it.
Keywords: epistemology, writing, cities, subjectivities, power
Abstract
This paper examines the epistemological model based upon the Enlightenment paradigm that underlies Modern Western thought and discusses other forms of writing and production of knowledge. Based on the the work of Michel Foucault, Walter Benjamin, Giorgio Agamben and others, we consider the production of knowledge in darkness. We start out with an evaluation of the effects of an epistemology of light and the potential of thought in the absence of light. We present an analysis of the relationship of that epistemology with forms of organization and urban lighting, as well as the production of invisible subjectivities. In a writing exercise conducted in a zone of shadows, we relate a story which binds the production of light and shadow and their productive power within contemporary urban society. Finally, this study affirms the power of shadows and the need to devise strategies that allow us to write in or with darkness and with those invisible subjectivities which inhabit it.
Keywords: epistemology, writing, cities, subjectivities, power
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright Statement
Authorship Responsibility:
First author: ______________________________________________________________________
Manuscript title:___________________________________________________________________
Manuscript Number:________________________________________________________________
Co-author(s) identification (in the order that they should appear in the manuscript):____________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
________________________________________________________________________________
1. Author Statement of Responsibility: - By this statement I guarantee, that in case of multiple authors, they read and agreed with the terms of this statement, granting me, through their written authorization, the right to sign this statement on their behalf; - Certify that it is an original and unpublished work, that neither, partially or totally, any other work with substantially similar content, of my authorship, was published or is being considered for publication elsewhere, electronically or printed; - Certify that, if requested, I will provide or cooperate in obtaining the information data on which the article was based, for examination by the editors; - Certify that all authors have participated sufficiently in this work, holding also the public responsibility for their content. In case of articles with more than six authors, the statement must specify the type(s) of participation(s) of each author, as specified below: - It is certify that In this work, (1) I, significantly contributed to the design, planning, collection and/or analysis and interpretation of data; (2) significantly contributed to the manuscript draft and/or in the critical revision of the content, (3) Participated effectively in the approval of the final version of the manuscript.
________________________________________________________________________________
________________________________________________________________________________
Signature (on behalf of all authors):
________________________________________________________________________________
Date:____________________________________________________________________________
Copyright Transfer:
It is stated that, in case of recommendation for publication (acceptance) of the manuscript, I agree that its copyrights shall become the exclusive property of the journal Polis e Psique, implying the prohibition of any form of reproduction, totally or partially, in any other part or means of divulgation, printed or electronic, without the request of a prior authorization that, if obtained, I will provide the proper acknowledgment to the Polis e Psique Journal from Universidade Federal do Rio Grande do Sul.
Signature (on behalf of all authors):
________________________________________________________________________________
Date:
