Iben Nagel Rasmussen: transparency in the maturity
Keywords:
Actor, Artistic Maturity, Laboratorial Dimension, Training, ActingAbstract
Transparency is proposed as a quality that emerges from the career of the actress Iben Nagel Rasmussen, a representative of a laboratory dimension, of work on oneself in the European theater. An analogy is suggested between Han’s aromatic time and the quality of transparency. The artistic maturity of Stanislavski is a starting point to inquire about the meaning of the mature actor’s experiences, in light of the principles of the nô actor by Zeami. The quality of transparency in Rasmussen’s autonomy in relation to the Odin Teatret, in the creation of biographical performances, as well as pedagogical projects, and as a value to be cultivated in the contemporary scene is highlighted.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.
This journal use a Licença de Atribuição Creative Commons.
