Wolves, horses, bitches and other characters of gender violence in the work of Carolina Bianchi

Authors

Keywords:

Contemporary Theater, Gender Violence., Feminist Theater, History of Art, Nature and Culture

Abstract

This text analyzes the works of Carolina Bianchi, mainly LOBO (2018), O Tremor Magnífico (2020) and Trilogia Cadela Força – Capítulo I: A noiva e o Boa Noite Cinderela (2023). The article presents the artist, her most recent works and discusses how Bianchi brings into play the debate on gender violence, mainly through three thematic axes: the role of women in the History of Art, exploration of non-normative sexualities and the presence of non-humans in her works, which call for the debate about nature versus culture. It is dis-cussed how the artist articulates these elements on stage using strategies that seek to reveal tensions and contra-dictions, without presenting a resolution, but present an investigation of language and encourage critical and lively reflection.

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Author Biography

Luisa Dalgalarrondo, Universidade Estadual do Paraná – UNESPAR

Luisa Dalgalarrondo has a PhD in Performing Arts from the Universidade Es-tadual de Campinas (Unicamp). She has a Master’s degree in Theater, from 2013, from the Performance and Culture – Interdisciplinary Perspectives course, at the Goldsmiths – University of London, United Kingdom. Bachelor in Per-forming Arts, graduated in 2011 from the Performing Arts course at Unicamp. She is currently a collaborating professor on the Bachelor of Performing Arts course at the Universidade Estadual do Paraná. 

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Published

2024-06-09

How to Cite

Dalgalarrondo, L. (2024). Wolves, horses, bitches and other characters of gender violence in the work of Carolina Bianchi. Brazilian Journal on Presence Studies, 14(3). Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/139057

Issue

Vol. 14 No. 3 (2024): Jul./Set. 2024

Section

Performance and Gender II

License

Copyright (c) 2024 Brazilian Journal on Presence Studies

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