Throwing in Technical Objects on Contemporary Stages

Authors

  • Julie Valero (Université Grenoble-Alpes – Rhône-Alpes, France) Université Grenoble-Alpes (France) Unité Mixte de Recherche Litt&Arts (EA 7355), pôle Cinesthéa (Cinéma, Esthétique et Théâtre)

Keywords:

Technical Objects, Play, Tool, Actor, Computer

Abstract

This paper deals with the use by the actor of the technical object, asking the following question: does the way it is handled by the actor initiate new playing practices? First, the technical object is defined from a general point of view. Then its statute is characterized in reference to the theatrical context: in what way can it be differentiated from any other object on stage? Playing instrument for the actor, it induces particular playing skills: it is illustrated by the stage work of the Wooster Group. The technical object thus appears as an instrumental extension of the actor’s playing body: the paper then turns to some similar artistic experiences. 

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Author Biography

Julie Valero (Université Grenoble-Alpes – Rhône-Alpes, France), Université Grenoble-Alpes (France) Unité Mixte de Recherche Litt&Arts (EA 7355), pôle Cinesthéa (Cinéma, Esthétique et Théâtre)

Maître de conférences en arts du spectacle à l'Université Grenoble Alpes ; spécialiste des relations entre théâtre et technique. Dramaturge auprès du metteur en scène Jean-François Peyret.

Published

2022-10-12

How to Cite

Valero (Université Grenoble-Alpes – Rhône-Alpes, France), J. (2022). Throwing in Technical Objects on Contemporary Stages. Brazilian Journal on Presence Studies, 6(2), 206–225. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/58858

Issue

Section

Performance Technology

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