Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality

Authors

  • Viviane Araujo Alves da Costa Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brasil) Universidade Federal do Paraná – UFPR, Curitiba/PR, Brasil

Keywords:

Theatricality, Stage Directions, Eugène Ionesco, Notes and Counter notes, Manuscripts

Abstract

Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. 

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Author Biography

Viviane Araujo Alves da Costa Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brasil), Universidade Federal do Paraná – UFPR, Curitiba/PR, Brasil

Doutora em Letras pela Universidade de São Paulo (Cnpq-Capes). Integrante do Grupo de pesquisa Criação e Crítica

Published

2022-10-12

How to Cite

Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brasil), V. A. A. da C. (2022). Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality. Brazilian Journal on Presence Studies, 6(2), 331–351. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/52382

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