Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality

Autores

  • Viviane Araujo Alves da Costa Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil) Universidade de São Paulo

Palavras-chave:

Theatricality, Stage Directions, Eugène Ionesco, Notes and Counter notes, Manuscripts

Resumo

Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. 

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Biografia do Autor

Viviane Araujo Alves da Costa Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), Universidade de São Paulo

Doutora em Letras pela Universidade de São Paulo (Cnpq-Capes). Integrante do Grupo de pesquisa Criação e Crítica

Publicado

2016-04-25

Como Citar

Pereira (Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil), V. A. A. da C. (2016). Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality. Revista Brasileira De Estudos Da Presença, 6(2), 331–351. Recuperado de https://seer.ufrgs.br/index.php/presenca/article/view/60627

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