Laughter and Violence:

pedagogical approaches to clowning in university Theater studies

Authors

Keywords:

Grotesque, Laughter, Violence, Clown, Formation

Abstract

This article seeks to analyze possible relationships between comicality and violence. The study was developed through theoretical-practical research, whose procedures involved bibliographical research through scenic experimentation laboratories, carried out with students from the Theater Licentiate Degree course, at the Federal University of Pernambuco. The rapprochement between clowning and the universe of popular culture was explored, especially considering the concept of grotesque realism proposed by Bakhtin. The necessity of violence as a pedagogical resource in the proposed technique was problematized and it was concluded that the learning of this technique requires the establishment of an environment of trust, play and freedom among students.

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Author Biography

Marianne Consentino, Universidade Federal de Pernambuco – UFPE

Marianne Consentino has a degree in Artistic Education/Performing Arts from the Universidade do Estado de Santa Catarina; a master’s degree in Arts from the Universidade de São Paulo; and a PhD in Performing Arts from the Universidade Federal da Bahia. She is currently adjunct lecturer 4 at the Universidade Federal de Pernambuco and coordinator of the Licentiate Theater Course. She has experience in the field of Arts, with an emphasis on Theater Direction, working mainly on the following subjects: clowning, creative processes, theater pedagogy. 

Published

2025-05-27

How to Cite

Consentino, M. (2025). Laughter and Violence:: pedagogical approaches to clowning in university Theater studies. Brazilian Journal on Presence Studies, 15(2). Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/147710

Issue

Section

Circus and Contemporary Performance

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