Loss and serendipity, twists and turns in the archives of Enrique Buenaventura's En la diestra de Dios Padre

Authors

Keywords:

Sound Archives, Rewriting, Colombian Theater, Mojiganga, Enrique Buenaventura

Abstract

Loss and serendipity, twists and turns in the archives of Enrique Buenaventura’s En la diestra de Dios Padre1 – This article reviews the various moments of an investigation into the play En la diestra de Dios Padre by Enrique Buenaventura, which was thought to have failed, and its re-direction around the valorization of its sound archives. The exploration of these archives, together with the exploration of photographic documentary pieces, made it possible to establish the scenic text of the second version of the play and the fundamental elements of an act considered as lost, as well as to reconstitute the epilogue of the play in its totality.

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Author Biography

Andrés Betancourt Morales

Andrés Betancourt Morales studied Biology at the Universidad Nacional de Colombia. In 2007, he traveled to France to pursue a Master’s degree in Literature, Arts, and Contemporary Thought at Université Denis Diderot (Paris 7). In 2016, he completed a doctoral thesis in Theater Studies at Université Sorbonne Nouvelle (Paris 3) on the genesis of two works by Enrique Buenaventura: Un réquiem por el padre Las Casas and La encrucijada. He is currently a professor of Spanish for foreigners. 

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Published

2024-12-20

How to Cite

Betancourt Morales, A. (2024). Loss and serendipity, twists and turns in the archives of Enrique Buenaventura’s En la diestra de Dios Padre. Brazilian Journal on Presence Studies, 14(4). Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/144606

Issue

Vol. 14 No. 4 (2024): Out./Dez. 2024

Section

Sound in Performance

License

Copyright (c) 2024 Brazilian Journal on Presence Studies

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