Protagonisms of Dissident Corporealities:

creative processes for the project Decolonizando Práticas Cênicas...

Authors

  • Daniel dos Santos Colin Universidade Federal do Rio Grande do Sul – UFRGS

Keywords:

Arts of the Body, Coloniality, Gender, Sexuality, Videoperformance

Abstract

Protagonisms of Dissident Corporealities: creative processes for the project Decolonizando Práticas Cênicas... – This text presents fundamental principles of the decolonial perspective in possible intersections with the arts of the body. A brief critical reflection is made on the artistic-pedagogical activities that made up the cultural project Decolonizando Práticas Cênicas… (Decolonizing Scenic Practices…), held in 2021, which central objective was to praise dissident subjects and their effective elevation to the status of protagonists of authorial videoperformances. Some of these works are analyzed using concepts and practices that permeate the performing arts, the decolonial turn and gender and sexuality studies.

 

 

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Author Biography

Daniel dos Santos Colin, Universidade Federal do Rio Grande do Sul – UFRGS

 

Daniel dos Santos Colin holds a PhD in Theater from the Universidade do Estado de Santa Catarina (UDESC), a Master’s Degree and a Bachelor’s Degree in Performing Arts from the Universidade Federal do Rio Grande do Sul (UFRGS). He is a substitute professor in the Departamento de Arte Dramática (UFRGS). Director, playwright, actor, teacher and performer. Founding member of the Teatro Sarcáustico group (Porto Alegre/RS).

Published

2024-04-29

How to Cite

Colin, D. dos S. (2024). Protagonisms of Dissident Corporealities:: creative processes for the project Decolonizando Práticas Cênicas. Brazilian Journal on Presence Studies, 14(2). Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/138210

Issue

Section

Performance and Gender I

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