The The Mystery of the German Writer’s Vessel:

provocations from literary and film montage to research in Human Sciences

Authors

  • Luis Antonio dos Santos Baptista

Keywords:

Montage, Literature, Cinema, Research, Ethics

Abstract

This article investigates the politics of the image and montage in the literature and filmmaking as an experimentation with an ethical bet on research in Human Sciences. In the light of Walter Benjamin’s concept of montage, as well as DidiHuberman’s analysis of image as taking a position, it problematizes the insurmountable distance between the subject and the object, the fracture between form and content, ethics and aesthetics in research in the face of the intolerable of an ordinary world. The questions are presented through fragments that deal with the intertwining between body, memory, revolt, and creation, to emphasize the ethical bet of the montage not only as a balm for the body suffocated by the abject, but as the oxygen necessary for the multiplication of paths, senses, overcoming limits for the creation of resistance to the numbness of thought.

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Author Biography

Luis Antonio dos Santos Baptista

Luis Antonio dos Santos Baptista is a retired full professor at the Institute of Psychology of Universidade Federal Fluminense. Professor of the Graduate Program in Institutional Psychology at the Universidade Federal do Espírito Santo. Visiting Researcher of the Graduate Program in Education, Training Processes and Social Inequality of UERJ, scholarship holder of the Research Support Program - National of UERJ / FAPERJ.

Published

2024-01-31

How to Cite

dos Santos Baptista, L. A. (2024). The The Mystery of the German Writer’s Vessel:: provocations from literary and film montage to research in Human Sciences. Brazilian Journal on Presence Studies, 14(1). Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/135907

Issue

Section

Problems with cinema, problems with research