Wolves, horses, bitches and other characters of gender violence in the work of Carolina Bianchi

Authors

Keywords:

Contemporary Theater, Gender Violence, Feminist Theater, History of Art, Nature and Culture

Abstract

This text analyzes the works of Carolina Bianchi, mainly LOBO (2018), O Tremor Magnífico (2020) and Trilogia Cadela Força – Capítulo I: A noiva e o Boa Noite Cinderela (2023). The article presents the artist, her most recent works and discusses how Bianchi brings into play the debate on gender violence, mainly through three thematic axes: the role of women in the History of Art, exploration of non-normative sexualities and the presence of non-humans in her works, which call for the debate about nature versus culture. It is dis-cussed how the artist articulates these elements on stage using strategies that seek to reveal tensions and contra-dictions, without presenting a resolution, but present an investigation of language and encourage critical and lively reflection.

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Author Biography

Luisa Dalgalarrondo, Universidade Estadual de Campinas

Luísa Dalgalarrondo

Doutoranda em Artes da Cena pela Universidade Estadual de Campinas - UNICAMP, orientada pelo Professor Cassiano Sydow Quilici. Mestre em Teatro formada em 2013 no curso de Performance and Culture - Interdisciplinary Perspectives pela Goldsmiths - University of London, Londres, Reino Unido. Bacharel em Artes Cênicas graduada em 2011 no curso de Artes Cênicas da Universidade Estadual de Campinas – UNICAMP, São Paulo, Brasil.


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Published

2024-06-09

How to Cite

Dalgalarrondo, L. (2024). Wolves, horses, bitches and other characters of gender violence in the work of Carolina Bianchi. Brazilian Journal on Presence Studies, 14(3). Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/132178

Issue

Vol. 14 No. 3 (2024): Jul./Set. 2024

Section

Performance and Gender II

License

Copyright (c) 2024 Brazilian Journal on Presence Studies

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