Dramaturgy of the dialogue between dance and music in the choreography Véspera:

a choreomusical analysis

Autores

  • Tatiana Avanço Universidade Estadual de Campinas – UNICAMP

Palavras-chave:

Choreomusicology, Dialogism, Space-time, Meaning of dance, Sound and meaning

Resumo

With grounding in Mikhail Bakhtin’s dialogism and choreomusicology, this article addresses relationships between dance and music as a way of constructing meanings and, therefore, of dramaturgical elaboration. Choreomusicology is presented as a field of study specialized in dance and music, advocating for a gathering of related studies under this rubric. It is conducted a choreomusical analysis of the choreography Véspera (2023) by choreographer Christian Casarin for the Companhia Ballet Paraisópolis, demonstrating how dramaturgy can be evoked through the dialogue between the spatiotemporal forms of dance and music.

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Biografia do Autor

Tatiana Avanço, Universidade Estadual de Campinas – UNICAMP

Tatiana Avanço is a researcher, professor, pianist, and dancer. She holds a Master's degree in Music from Unicamp and a Bachelor's degree in Conducting from Unesp. She has extensive complementary training in classical ballet and contemporary dance. Since 2016, she has been conducting academic research in choreomusicology (studies on the relationship between music and dance). She publishes dance critiques with an emphasis on music and other texts on the website Movimento e Som (https://movimentoesom.com/). She has been leading specialized music education projects for dance at major training schools in the city of São Paulo, such as São Paulo Escola de Dança, Ballet Paraisópolis, and Projeto Núcleo Luz.

Publicado

2025-04-29

Como Citar

Avanço, T. (2025). Dramaturgy of the dialogue between dance and music in the choreography Véspera:: a choreomusical analysis. Revista Brasileira De Estudos Da Presença, 15(1). Recuperado de https://seer.ufrgs.br/index.php/presenca/article/view/147120

Edição

Seção

Temas Contemporâneos IV