Cultural frontiers in the film El hombre de al lado
DOI:
https://doi.org/10.19132/1807-8583201532.194-211Keywords:
Cultural frontiers. Cinema. Communication.Abstract
From the observation of research on cultural frontiers, this article analyzes how these boundaries are constructed and represented in the Argentine movie El hombre de al lado (2009). The objective is to analyze and reflect on two sequences that represents boundary situations between the main characters: the first meeting and the party where one of them shows up without invitation. Actions, interactions and representations will be observed from the sight of a double relation: among the characters and with the social and spatial context.Downloads
References
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Copyright (c) 2015 Pâmela Caroline Stocker
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