The Realistic aesthetic in the films on brazilian military dictatorship

Authors

  • Helena Stigger
  • Cristiane Freitas Gutfreind
  • Guilherme Brendler

Keywords:

Brazilian cinema, Military dictatorship, Aesthetics

Abstract

Cinema directs, on its input, an impression of reality based on empirical experience of the director and the society to which he belongs. In its condition of discourse, the cinema, as well as narrative forms, covers a statement and a spectator. Unlike a novel, the “movie grammar” is composed by a number of factors such as image, sound, music, among others that are organized to tell a story. However, the way these components are recorded in pictures and ordered on a narrative sequence is not unique. Therefore, we can think about what the purpose of an aesthetic choice is usual in the movies Pra Frente, Brasil and Batismo de Sangue to represent the Brazilian military dictatorship

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Author Biographies

Helena Stigger

Mestre em Comunicação, doutoranda do Programa de Pós-Graduação em Comunicação da PUCRS e, como bolsista do CNPq, integra o projeto A representação fílmica da ditadura militar no Brasil.

Cristiane Freitas Gutfreind

Doutora em Sociologia, professora do Programa de Pós-Graduação em Comunicação da PUCRS e coordena o projeto A representação fílmica da ditadura militar no Brasil.

Guilherme Brendler

Graduando em Jornalismo na PUCRS e bolsista BPA/PUCRS integrante do projeto A representação fílmica da ditadura militar no Brasil.

Published

2009-03-13

How to Cite

STIGGER, Helena; GUTFREIND, Cristiane Freitas; BRENDLER, Guilherme. The Realistic aesthetic in the films on brazilian military dictatorship. Em Questão, Porto Alegre, v. 14, n. 2, p. 261–274, 2009. Disponível em: https://seer.ufrgs.br/index.php/EmQuestao/article/view/6491. Acesso em: 28 aug. 2026.

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