The Realistic aesthetic in the films on brazilian military dictatorship
Keywords:
Brazilian cinema, Military dictatorship, AestheticsAbstract
Cinema directs, on its input, an impression of reality based on empirical experience of the director and the society to which he belongs. In its condition of discourse, the cinema, as well as narrative forms, covers a statement and a spectator. Unlike a novel, the “movie grammar” is composed by a number of factors such as image, sound, music, among others that are organized to tell a story. However, the way these components are recorded in pictures and ordered on a narrative sequence is not unique. Therefore, we can think about what the purpose of an aesthetic choice is usual in the movies Pra Frente, Brasil and Batismo de Sangue to represent the Brazilian military dictatorshipDownloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2009 Helena Stigger, Cristiane Freitas Gutfreind, Guilherme Brendler

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors will keep their copyright and grant the journal with the right of first publication, the work licensed under License Creative Commons Attribution (CC BY 4.0), which allows for the sharing of work and the recognition of authorship.
Authors can take on additional contracts separately for non-exclusive distribution of the version of the work published in this journal, such as publishing in an institutional repository, acknowledging its initial publication in this journal.
The articles are open access and free. In accordance with the license, you must give appropriate credit, provide a link to the license, and indicate if changes were made. You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.






