Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin

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Mots-clés :

Brazilian Theater, Poetics, Anthropophagy, Perspectivism, Shamanism

Résumé

ABSTRACT – Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin – This text presents a plan of construction of a Poetics, whose purpose is to effect a Re-Vision, in five key moments, of the Brazilian Theater. To do this, we seek to establish a scene of origin, outlined after the meeting – impregnated with attraction and repulsion – that takes place in Brazil, from the sixteenth century, between Amerindian and European civilizations. Two metaphysics and forms of expression thus form the intensive and pantheatrical basis of a Poetics that projects a notion of Brazilian theater in a constant state of struggles of perspectives, symbolized, in its origins, by two anthropophagic mouths interdevouring: the mercantilist Christian Eucharist and the Amerindian cosmopolitical.

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Biographie de l'auteur

André Gardel, UNIRIO (Universidade Federal do Estado do Rio de Janeiro)

Professor Adjunto IV do Departamento de Teoria do Teatro da Escola de Teatro do Centro de Letras e Artes da UNIRIO; Escritor com 11 livros publicados; Compositor de música popular com 3 CDs lançados.

Publiée

2022-09-27

Comment citer

Gardel, A. (2022). Anthropophagic-Perspectivistic Poetics for a Re-Vision of the Brazilian Theater: the scene of origin. Révue Brésilienne d’Études De La Présence, 9(2), 1–27. Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/87748

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