Postdramatic Theatre and Postdramatic Performance

Auteurs

  • Marvin Carlson (The City University of New York – New York, United States of America) The City University of New York

Mots-clés :

Theatre, Performance, Postdramatic, Hans-Thies Lehmann, Arts

Résumé

Beginning with the concept of a postdramatic theatre as articulated by the German theorist Hans-Thies Lehmann, this essay considers the recent work of several major international directors – Ivo van Hove, Punchdrunk, Signa and others – as examples of postdramatic performance. It argues that what they have in common is a challenge to the traditional concept of mimesis and of the theatre world as a fictional construct distinctly separated from everyday life and its surroundings.

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Publiée

2022-10-13

Comment citer

Carlson (The City University of New York – New York, United States of America), M. (2022). Postdramatic Theatre and Postdramatic Performance. Révue Brésilienne d’Études De La Présence, 5(3), 577–595. Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/53731

Numéro

Rubrique

Autres thématiques

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