Image Experience and Sound Density:

effects of presence in the staging of Auto da Catingueira

Auteurs

Mots-clés :

Experience, Presence, Auto da Catingueira, Theater, Performance

Résumé

This article proposes to problematize notions of presence and body from the sound dimension in a performance of the opera Auto da Catingueira, by Elomar Figueira Mello. The study uses a bibliographical, critical and theoretical review, and discusses parts of the recording of the spectacle in close dialogue with music theory and concepts brought from oral poetics. Thus, an analysis of the elements of the performance of actors in the scenic phenomenon is presented in relation to concepts of orality, body and voice, bringing together aspects of performativity and staging based on Brazilian culture and popular actions.

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Biographie de l'auteur

Ana Cristina Moreira Pessôa, Universidade do Estado da Bahia

Ana Cristina Moreira Pessôa holds an ongoing post-doctorate in Cultural Criticism from the Universidade do Estado da Bahia (UNEB). She holds a Doctorate degree in Literature and Culture from the Universidade Federal da Bahia (UFBA). During her doctorate, she was awarded a FAPESB scholarship by the Postgraduate Program in Literature and Culture at the Universidade Federal da Bahia. She works in the research line Studies of Literary and Cultural Theories and Representations. Master in Literature Studies at the Universidade Federal Fluminense (UFF). 

Publiée

2024-12-20

Comment citer

Moreira Pessôa, A. C. (2024). Image Experience and Sound Density: : effects of presence in the staging of Auto da Catingueira. Révue Brésilienne d’Études De La Présence, 14(4). Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/143423

Numéro

Rubrique

Les scènes du son

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