A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg

Authors

Keywords:

Performance and Painting, Pathosformeln, Contemporary Poetics, Carolee Schneemann, Aby Warburg

Abstract

This article discusses the issue of the pictorial gesture potency in Carolee Schneemann’s creating process and how her use of herself body allowed her to question whether she could, in addition to an image be also an image maker: a poetic and theoretical juxtaposition at the same time, which causes specific displacements in her performative work. This study aims to correlate operatory concepts around the nymph as a theoretical object, with special attention to its accessories in movement, in the Warburgian sense, from the examination of iconological paths and theoretical approaches inaugurated by Aby Warburg, having as focus the crossings between painting and the body arts

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Author Biography

Vera Pugliese, Universidade de Brasília

É Professora do Departamento de Artes Visuais do Instituto de Artes da Universidade de Brasília VIS-IdA/UnB, na Área de Teoria e História da Arte, na Graduação e Programa de Pós-Graduação em Artes Visuais – PPGAV, Coordena Projeto de Pesquisa com Fomento do CNPq e é líder do Grupo de Pesquisa do CNPq Montagem no Discurso Historiográfico Artístico e Realizou Pós-Doutorado no CEHTA/École des Hautes Études em Sciences Sociales – EHESS, Paris, com bolsa FAP-DF (2019-2020)

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Published

2021-01-26

How to Cite

Pugliese, V. (2021). A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg. Brazilian Journal on Presence Studies, 11(1), 01–39. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/109303

Issue

Vol. 11 No. 1 (2021): Jan./Mar. 2021

Section

Contemporary topics II

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