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Vol. 3 No. 2 (2013): maio/ago. 2013
Vol. 3 No. 2 (2013): maio/ago. 2013
Published:
2022-10-16
Editorial
Staff
371-373
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Editorial
374-378
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Theatrical Genetics
For a Theatrical Genetics: assumptions and challenges
Almuth Grésillon, Marie-Madeleine Mervant-Roux (Centre National de la Recherche Scientifique, CNRS - Paris, França), Dominique Budor (Université Paris III Sorbonne Nouvelle – França) (Author)
379-394
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Performativity and Genesis of the Scene
Sílvia Fernandes (Universidade de São Paulo - São Paulo, Brasil) (Author)
395-412
ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Manuscript Traces of the Spectacle: staging records
Fahd Kaghat (Université Sidi Mohamed Ben Abdellah – Fés, Marrocos) (Author)
413-424
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Genetics of a Reenactment in Jan Fabre’s Work
Giulio Boato (Università di Bologna – Bolonha, Itália) (Author)
425-446
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Pan Pan Theatre Aesthetics
Noelia Ruiz (University College Dublin – Dublin, Irlanda) (Author)
447-457
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Traces that Emulate Figures: the staging of Samuel Beckett’s Ohio Impromptu
Luiz Marfuz (Universidade Federal da Bahia – Salvador, Brasil) (Author)
458-480
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Around Refuse The Hour, Kentridge and his Space-Time of Creation
Fanny Le Borgne (Université Paris III Sorbonne-Nouvelle – Paris, França) (Author)
481-495
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre
Almuth Grésillon, Marie-Madeleine Mervant-Roux (Centre National de la Recherche Scientifique, CNRS – Paris, França) (Author)
496-515
ACESSO / ACCESS / ACCÈS (Português (Brasil))
A Diary of Genesis: L’Atelier Volant by Valère Novarina
Jean-Marie Thomasseau (Université Vincennes Saint Denis Paris VIII – Paris, França) (Author)
516-527
ACESSO / ACCESS / ACCÈS (Português (Brasil))
The Production of Theater: stakes and paradoxes
Josette Féral (Université Paris III Sorbonne Nouvelle – Paris, França) (Author)
528-538
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Other Themes
Arthur Lessac: an essay on Body energies in actor’s training
Maria Regina Tocchetto Oliveira (Universidade Federal da Grande Dourados – Dourados, Brasil) (Author)
539-555
ACESSO / ACCESS / ACCÈS (Português (Brasil))
A Prop’s Story: from everyday life to the stage
Filipa Malva (Universidade de Coimbra – Coimbra, Portugal) (Author)
556-568
ACESSO / ACCESS / ACCÈS (Português (Brasil))
A Tale of Encounters with Lia Rodrigues Cia. de Danças
Bianca Scliar Mancini (Concordia University – Montreal, Canadá) (Author)
569-582
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Beyond Technology, there Stands Magic
Lúcia Fernandes Lobato (Universidade Federal da Bahia – Salvador, Brasil) (Author)
583-593
ACESSO / ACCESS / ACCÈS (Português (Brasil))
Presence or the Quality of Discreetly Being There
Maíra Castilhos Coelho (Universidade Federal do Rio Grande do Sul – Porto Alegre, Brasil) (Author)
594-604
ACESSO / ACCESS / ACCÈS (Português (Brasil))
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