The Meaning of Truth and Language in Pina: a creational study

Auteurs

  • Renata Tavares (Universidade Estadual do Paraná – UNESPAR, União da Vitória/PR, Brazil) UNESPAR

Mots-clés :

Dance-Theater. Language. Truth. Pina Bausch. Martin Heidegger.

Résumé

The work analyzes the concept of truth in Pina Bausch’s dance-theater, establishing possible approximations between the authenticity that Pina chased for movement and gesture in her work and Martin Heidegger’s idea of truth as unhiddeness. In this sense, based on interviews that Pina gave all over her life, we discuss what she understood as dance, taking it in the sense of a language and its possibilities and trying to sustain the interpretation that Pina Bausch’s Tanztheater does an enlargement of certain boundaries that even in contemporary dance are conceptually rigid. These boundaries name the notions of authoring, individuality, representation and after all, language itself.

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Publiée

2022-10-03

Comment citer

Tavares (Universidade Estadual do Paraná – UNESPAR, União da Vitória/PR, Brazil), R. (2022). The Meaning of Truth and Language in Pina: a creational study. Révue Brésilienne d’Études De La Présence, 8(3), 522–538. Consulté à l’adresse https://seer.ufrgs.br/index.php/presenca/article/view/82484

Numéro

Rubrique

Pina Bausch

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