CorpoBrasilities in the Circus Ring:
Afro-Brazilian toys in the creative and pedagogical processes of the circus artist
Keywords:
Anti-colonial, Circus, CorpoBrasility, Players, CapoeiraAbstract
This article discusses how Afro-Brazilian cultural ancestry should be a fundamental creative pedagogical assumption in the training of Brazilian circus artists in contemporary times, in an anti-colonial aesthetic-political positioning. It starts with two questions: How to use Afro-Brazilian techniques such as capoeira in the training of the artist and his/her circus acts in contemporary times? What can be understood as a pedagogical and creative decolonization of Brazilian circus art, respecting its ancient tradition? The risk, the playfulness and the appreciation of cultural reality are common points that strategically enhance Brazilianness and its corporeality, as well as circus arts.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Brazilian Journal on Presence Studies

This work is licensed under a Creative Commons Attribution 4.0 International License.
Readers are free to transfer, print out and use the articles published in the Journal, as long as there is always explicit mention to the author(s) and to the Revista Brasileira de Estudos da Presença and as long as there is no alteration of the original work. Any other use of the texts needs to be approved by the author(s) and by the Journal. By submitting an article to the Revista Brasileira de Estudos da Presença and having it approved, the authors agree to assign, without compensation, the following rights to the Journal: the rights of first publication and the rights to redistribute the article and its metadata to the indexing and reference services that the editors deem appropriate.
This journal use a Licença de Atribuição Creative Commons.











