Under penalty of death: reveries of justice in Morris e Kieślowski
devaneios da justiça em Morris e Kieślowski
Keywords:
poetic reverie, figural analysis, visual motifs, political imagination, production of presenceAbstract
The text analyzes the figural aspects of The Thin Blue Line (Errol Morris, 1988) and A Short Film About Killing (Krzysztof Kieślowski, 1988) as reveries of justice driven by the abolitionist imagination of the death penalty. This imagination finds its power in the inviolability of human life as a sense of justice experienced through poetic treatments of the death penalty as a visual motif. The films are approached in a theoretical dialogue between Bachelard’s concept of “poetic reverie” and Dubois’ “Figural question”, as they allow us to think of fiction and documentary as filmic reveries that lead us to a poetic and political experience with the phenomenological world of justice.
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