Microscopicpolitics and Imargination in the Shareable Intimate Rituals in the CPP_Implicações Project

Authors

Keywords:

Dance, Performance, Artistic Investigation, Body-World

Abstract

How to survive the end of a world model? We could say: by opening up space so other worlds may be established, and by holding up the sky through the invention of a dance that is possible for the body that there is. In a pandemic and necropolitical context, we collectively perform and invent our rituals through video conferencing platforms in bordering actions from the project named Body, performance and the political in implication (CPP_Implications). In an artistic investigation influenced by authors such as Airton Krenan, Davi Kopenawa, Erin Manning, Baruch Spinoza, Jane Bennet and Eduardo Viveiros de Castro we cartographically coined two terms: microscopicpolitics and the act of imargination.

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Author Biography

Milene Lopes Duenha, Universidade Estadual do Paraná - UNESPAR

Milene Lopes Duenha is a dance artist and performer. She holds a doctorate and a master's degree in Theater from Universidade do Estado de Santa Catarina (UDESC). She holds a bachelor's degree in Performing Arts from Universidade Estadual de Londrina (Uel) and a graduate degree in Visual Arts/Art Education from the same institution. She is a collaborating lecturer for the Dance course at Universidade Estadual do Paraná (UNESPAR), an associate researcher of the AND_Lab | Arte-Pensamento e Políticas da Convivência (Lisbon) and is part of the collectives Mapas e Hipertextos and ACOCORÉ.

Published

2021-10-11

How to Cite

Duenha, M. L. (2021). Microscopicpolitics and Imargination in the Shareable Intimate Rituals in the CPP_Implicações Project. Brazilian Journal on Presence Studies, 11(4), 01–28. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/117545

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