Wearable Flow: investigation of materiality in the production of contemporary body/artist

Autores

  • Carolina de Paula Diniz (Universidade Federal do Recôncavo Baiano, Brazil) Universidade Federal do Recôncavo Baiano

Palavras-chave:

Body, Dance, Costume, Movement, Wearable Flow,

Resumo

This study deals with the body in relation to the costume within the context of the contemporary performing arts. We aim to analyze how the body relates directly to the elements that are part of it. We examine the specificity of the body in the creative process, which components are organized in a procedural and concomitant way. We problematize the costume in its action as coauthor in the process. The practice called Wearable Flow is presented, focused on the exploration of the materiality based on the relationship between body, movement, and what is worn in the performing production and development of the artist.

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Biografia do Autor

Carolina de Paula Diniz (Universidade Federal do Recôncavo Baiano, Brazil), Universidade Federal do Recôncavo Baiano

Centro de Cultura, Linguagens e Tecnologias Aplicadas/CECULT

Tecnologias do Espetáculo/ Figurino

Publicado

2022-10-04

Como Citar

Diniz (Universidade Federal do Recôncavo Baiano, Brazil), C. de P. (2022). Wearable Flow: investigation of materiality in the production of contemporary body/artist. Revista Brasileira De Estudos Da Presença, 7(2), 382–406. Recuperado de https://seer.ufrgs.br/index.php/presenca/article/view/71912

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