Actor-Subjects, their Voice, and their Relationship with the Mother Figure

Authors

  • Simone Nogueira Rasslan Universidade Federal do Rio Grande do Sul
  • Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil) UFRGS

Keywords:

Voice, Mother, Theater, Narratives of the Self, Foucault

Abstract

This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression. The empirical materials are narratives and interviews with professionals from the performing arts, who execute the soundtracks of their live performances vocally and through the use of musical instruments. In this paper we analyze the predominant presence of the voice of the mother figure in the memories of actors-musicians. 

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Author Biographies

Simone Nogueira Rasslan, Universidade Federal do Rio Grande do Sul

Mestre em Educação pelo Programa de Pós Graduação em Educação da UFRGS, preparadora musical para o teatro, regente, cantora e pianista.

Rosa Maria Bueno Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil), UFRGS

Professora da Faculdade de Educação e do Programa de Pós Graduação em Educação da UFRGS. É pesquisadora do CNPQ 1-C. Autora de vários artigos, livros e capítulos sobre estudos foucaultianos, filosofia da cultura e cinema, juventude e educação.

Published

2022-10-12

How to Cite

Rasslan, S. N., & Fischer (Universidade Federal do Rio Grande do Sul – UFRGS, Porto Alegre/RS, Brasil), R. M. B. (2022). Actor-Subjects, their Voice, and their Relationship with the Mother Figure. Brazilian Journal on Presence Studies, 6(1), 47–70. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/55221

Issue

Section

Vocal Pedagogies

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