The Performativity of Presence:

a review of the archive of the Brazilian Journal on Presence Studies

Autores

  • Gilberto Icle Universidade Federal do Rio Grande do Sul - UFRGS
  • Igor Passos Pires Universidade de Brasília – UnB

Palavras-chave:

Performing Arts, Presence, Performativity, Brazilian Journal on Presence Studies, Archive

Resumo

This text presents an analysis of the production of the Brazilian Journal on Presence Studies between 2011 and 2025 regarding the marker “presence.” A total of 20 articles published in the journal are analyzed, showing how the notion of presence emerges both as intrinsic to the performer and in relation to the audience. It is argued that such production has contributed to the field of Performing Arts insofar as it has performatively produced the idea of presence, rather than merely describing it as something that represents the stage.

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Biografia do Autor

Gilberto Icle, Universidade Federal do Rio Grande do Sul - UFRGS

Gilberto Icle is a Full Professor at the Universidade Federal do Rio Grande do Sul, where he earned both his doctorate and master’s degree in Education, as well as a degree in Theater. He completed postdoctoral research at the Université de Paris 8 Vincennes Saint-Denis and at the Université Sorbonne Nouvelle - Paris 3, in France. He has also served as a Visiting Professor at the Université Paris Nanterre, in France. He is a recipient of a CNPq Research Productivity Grant.

Publicado

2026-02-19

Como Citar

Icle, G., & Passos Pires, I. (2026). The Performativity of Presence:: a review of the archive of the Brazilian Journal on Presence Studies. Revista Brasileira De Estudos Da Presença, 15(4). Recuperado de https://seer.ufrgs.br/index.php/presenca/article/view/153701

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