Da Pateada:
ecos de uma prática extinta, mas ruidosa
Keywords:
História do teatro brasileiro, Espectador teatral, Teatro e polícia, Legislação teatral, PateadasAbstract
Historically, the theater spectator has been constituted as a central figure in both theatrical practice and theory, becoming the target of an artistic-pedagogical discourse. Departing from this premise, this article aims to problematize the interplay between conduct and counter-conduct in which the theater spectator was entangled. To do so, we propose to observe an extinct practice in Brazilian theaters but prevalent throughout the 19th century, the "pateada," which involved a noisy stomping of feet by the audience with the purpose of interrupting a performance. By analyzing the "pateada," we present a historical moment in which the behavior and subjectivity of the spectator would begin to be regulated in a different direction, and a new type of public-stage address would emerge.
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