No. 32 (2020): Dossiê A Arte do Movimento de Rudolf Laban

View No. 32 (2020): Dossiê A Arte do Movimento de Rudolf Laban
Published: 2020-12-11

Editorial

  • A ARTE DO MOVIMENTO DE RUDOLF LABAN

    Flavia Pilla do Valle, Cibele Sastre, Clóvis Dias Massa
    1-4
    DOI: https://doi.org/10.22456/2236-3254.109766

  • THE ART OF MOVEMENT OF RUDOLF LABAN

    Flavia Pilla do Valle, Cibele Sastre, Clóvis Dias Massa
    1-4
    DOI: https://doi.org/10.22456/2236-3254.109765

  • Expediente

    5
    DOI: https://doi.org/10.22456/2236-3254.109767

Artigos

  • SHAPE

    Peggy Hackney
    6-20
    DOI: https://doi.org/10.22456/2236-3254.109739

  • FORMA

    Peggy Hackney
    21-37
    DOI: https://doi.org/10.22456/2236-3254.109742

  • LABANOTATION: A GRAPHIC FOR GESTURE DANCE

    Marcilio Souza Vieira
    38-48
    DOI: https://doi.org/10.22456/2236-3254.102497

  • MOTIF WRITING ON THE LMA/BF SYSTEM

    Flavia Pilla do Valle
    49-57
    DOI: https://doi.org/10.22456/2236-3254.103801

  • SERPENTINE LINES: NOTES ON A LABANIAN APPROACH TO SPACE

    Paulo Caldas
    58-72
    DOI: https://doi.org/10.22456/2236-3254.104133

  • THE ART OF MOVEMENT AS SOMATIC-PERFORMATIVE RESEARCH: PULSIONS AND TERRITORIES OF THE PPGAC / UFBA PERFORMANCE LABORATORY

    Ciane Fernandes
    73-82
    DOI: https://doi.org/10.22456/2236-3254.104331

  • VOICES ON THE WAY OF MOVING: SOUND, KINESTHESIA AND THE SELF AS A PROCESS IN THE SOMATIC OF THE LABAN/BARTENIEFF SYSTEM

    Daniel Magalhães de Andrade Lima
    83-93
    DOI: https://doi.org/10.22456/2236-3254.104242

  • DANCING-INVESTIGATING ZAHA HADID'S ARCHITECTURE FROM A COREOLOGICAL PERSPECTIVE

    Cláudio Marcelo Carneiro Leão Lacerda
    94-105
    DOI: https://doi.org/10.22456/2236-3254.104298

  • GEOGRAPHY OF RELATIONSHIP: AN INTERIOR-EXTERIOR CONTINUUM IN THE BODY

    Vivian Vieira Peçanha Barbosa
    106-114
    DOI: https://doi.org/10.22456/2236-3254.103911

  • TRIO - CHOREOGRAPHIC GAME PROJECT: FUNCTION AND EXPRESSION IN THE PERFORMATIVE ACT

    Lígia Losada Tourinho
    115-127
    DOI: https://doi.org/10.22456/2236-3254.104299

  • CHOREOLOGICAL STUDIES AS PRAXIS FOR THE CONSTRUCTION OF AN AFFECTIVE DRAMATURGY

    Melina Scialom
    128-139
    DOI: https://doi.org/10.22456/2236-3254.104341

  • TURBULENCE AND SUSPENSION: OVER STATES AND PATHWAYS

    Marina Martins
    140-156
    DOI: https://doi.org/10.22456/2236-3254.104308

  • LABAN AND FREIRE: BETWEEN THE OLD AND THE NEW WORLD

    Isabel Marques
    157-170
    DOI: https://doi.org/10.22456/2236-3254.105034

  • DO YOU TRAIN OR REHEARSE? DICHOTOMIES IN THE CIRCUS FIELD AND PROPOSALS FOR LEARNING / CREATION / PERFORMANCE FROM ELEMENTS OF THE LABAN / BARTENIEFF SYSTEM

    Alex Rodrigues Machado, Nara Waldemar Keiserman
    171-182
    DOI: https://doi.org/10.22456/2236-3254.104277

  • HIGHER EDUCATION AND MIDDLE SCHOOL: LABANIAN THINKING, CONTEXTS AND DANCES

    Jair Mario Gabardo Junior, Thaís Castilho
    183-195
    DOI: https://doi.org/10.22456/2236-3254.104292

  • LABAN / BARTENIEFF SYSTEM AND MOTOR COORDINATION IN CLASSICAL BALLET CLASSES IN THE FORMATION OF DANCE ARTIST-TEACHER

    Neila Cristina Baldi
    196-207
    DOI: https://doi.org/10.22456/2236-3254.104349

  • LABAN FOR CROWDS: CHORAL DANCE AND NAZI GERMANY

    Francisco Lima Dal Col
    208-220
    DOI: https://doi.org/10.22456/2236-3254.104286

  • CHORAL DANCE, CROWD DANCE

    Camila Simonin, Lígia Losada Tourinho
    221-232
    DOI: https://doi.org/10.22456/2236-3254.104244

  • LABAN LABYRINTH

    Cibele Sastre
    233-245
    DOI: https://doi.org/10.22456/2236-3254.104833

  • JOANA LOPES AND COREODRAMATURGIA: DIALOGUES BETWEEN DRAMATIC GAME AND THE ART OF RUDOLF LABAN'S MOVEMENT

    José Rafael Madureira, Andreia Ferreira Yonashiro
    246-258
    DOI: https://doi.org/10.22456/2236-3254.104330

  • LABANIAN ECHOES IN EVA SCHUL'S DANCING PEDAGOGY

    Fellipe Santos Resende, Suzane Weber da Silva
    259-274
    DOI: https://doi.org/10.22456/2236-3254.104787

  • THE HOUSE AND THE UNIVERSE OF MARIA DUSCHENES

    Warla Giany de Paiva, Elisa Abrão
    275-286
    DOI: https://doi.org/10.22456/2236-3254.104788

Entrevistas

  • TRACES OF KURT JOOSS AND RUDOLF LABAN IN THE SAYONARA TRAJECTORY PEREIRA AND ITS DEPLOYMENTS

    Mônica Fagundes Dantas, Daniel Aires
    287-299
    DOI: https://doi.org/10.22456/2236-3254.105116

Artigos Extradossiê

  • THE CONFERENCE AS DRAMATURGICAL STRATEGY OF DEVIATION

    João Alberto Lima Sanches
    300-311
    DOI: https://doi.org/10.22456/2236-3254.103212

  • A LOOK AT SENSITIVE SHARING IN THE PERFORMING ARTS

    Jeferson de Oliveira Cabral, Vera Lúcia Bertoni dos Santos
    312-318
    DOI: https://doi.org/10.22456/2236-3254.102104

  • CARE, FRAGILE: A CREATIVE PROCESS OF DANCE AND DIFFERENCES

    Fabiana Andreia Mors, Neila Cristina Baldi
    319-329
    DOI: https://doi.org/10.22456/2236-3254.101250

Ensaios

  • BOB WILSON'S FIRST CREATIVE PROCESSES AND HIS RELATIONSHIPS WITH A FREE CHILDHOOD

    Lucas Pinheiro
    330-339
    DOI: https://doi.org/10.22456/2236-3254.100532