THE CONFERENCE AS DRAMATURGICAL STRATEGY OF DEVIATION
DOI:
https://doi.org/10.22456/2236-3254.103212Abstract
This article discusses dramaturgical strategies that structure conference plays, or conference shows. The work comments on examples of these recurrent forms in the contemporary scene and, as a theoretical perspective, is based on the concepts of crisis of the drama and deviation, formulated respectively by Peter Szondi and Jean-Pierre Sarrazac. The study also dialogues with the work of other artists and theorists such as Fernando Kinas, Patrice Pavis and Cleise Mendes.
Keywords
Conference Piece. Contemporary Dramaturgy. Deviation.
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