Artist and institution: a painful encounter

Autori

  • Fernanda Albuquerque
  • Doris Salcedo Salcedo

DOI:

https://doi.org/10.22456/2179-8001.80123

Parole chiave:

Artist. Contemporary art. Context. Institution. Criticism. Doris Salcedo.

Abstract

This interview is about the work process of Colombian artist Doris Salcedo regarding her work Shibboleth, developed for Turbine Hall, at London’s Tate Modern (2007) as part of the Unilever Series.

Downloads

I dati di download non sono ancora disponibili.

Biografie autore

Fernanda Albuquerque

Fernanda Albuquerque is an art curator and a professor at UFRGS Museology School and Graduate Program in Museology and Heritage at the same institution. She holds a PhD in Visual Arts – History, Theory and Criticism from PPGAV-UFRGS, with an internship at the University of the Arts (UAL) in London. She was Assistant Curator of the 8th Mercosur Biennial (2011) and Curator of Visual Arts at the São Paulo Cultural Center (2008-2010). She has already developed projects at institutions such as Tomie Ohtake Institute, Goethe Institut Porto Alegre, Santander Cultural, Mercosur Biennial, São Paulo Biennial, Gabriela Mistral Gallery, Ecarta Foundation, Murillo La Greca Museum, and Maria Antonia University Center. Since 2014 she has been holding the Curatorial, Art and Education Laboratory with editions in Porto Alegre, Florianópolis, Rio de Janeiro, Vitória and São Paulo, working with artist and curator Mônica Hoff.

Doris Salcedo Salcedo

Doris Salcedo was born in Bogotá, Colombia, in 1958. She studied Arts at the University of Bogotá Jorge Tadeo Lozano, graduating in 1980, and completed a Master’s degree at New York University in 1984. Most of her sculptures and installations, such as Shibboleth, have as their starting point the experience of the excluded and marginalized, victims of political and social violence. Some of her works start from particular historical events. Many of them are the result of collective undertakings in collaboration with architects, engineers and assistants, which is Shibboleth’s case.

##submission.additionalFiles##

Pubblicato

2018-06-02

Come citare

Albuquerque, F., & Salcedo, D. S. (2018). Artist and institution: a painful encounter. PORTO ARTE: Revista De Artes Visuais, 22(37). https://doi.org/10.22456/2179-8001.80123

Fascicolo

V. 22 N. 37 (2017): DOSSIÊ: A HORA DAS ENTREVISTAS

Sezione

Versão | Version

Licenza

Autores que publicam nesta revista concordam com os seguintes termos:

Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho licenciado sob a Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional (CC BY-NC-SA 4.0).

Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não exclusiva da versão do trabalho publicada nesta revista, como publicar em repositório institucional, com reconhecimento de autoria e publicação inicial nesta revista, quando for o caso.

Os artigos são de acesso aberto e uso gratuito, com atribuições próprias em atividades educacionais, de pesquisa e não comerciais. 

 

Articoli simili

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 > >> 

Puoi anche Iniziare una ricerca avanzata di similarità per questo articolo.