Plantas, máquinas e interafectividade

Authors

  • Carlos Augusto Moreira da Nóbrega Universidade Federal do Rio de Janeiro - Escola de Belas Artes - UFRJ

DOI:

https://doi.org/10.22456/1982-1654.22807

Keywords:

plant, resonance, inter-affectivity, interaction, hybrid

Abstract

A presente comunicação investiga o acoplamento entre plantas e sistemas artificiais no contexto da arte sob a filosofia dos objetos técnicos desenvolvida por Gilbert Simondon. O foco de nosso trabalho é posto sobre o processo de invenção de objetos técnicos para argumentar que a obra de arte, quando resultante desse processo, ressona ao ar tista e ao observador como um nó de sinergias existentes. Tais sinergias, emergentes dos acoplamentos entre diversos sistemas (o sistema mental do artista, do observador e o sistema da obra), são mantidas por ligações afetivas. Argumentamos que estes sistemas têm suas camadas de indeterminação e complexidade expandidas quando organismos naturais, como plantas, são hibridizados a eles.

Downloads

Download data is not yet available.

Author Biography

Carlos Augusto Moreira da Nóbrega, Universidade Federal do Rio de Janeiro - Escola de Belas Artes - UFRJ

Carlos Nóbrega (Guto Nóbrega) is Doctor of Philosophy by The Planetary Collegium programme (former CAiiA-STAR) based on the School of Art and Media, University of Plymouth – UK (2009), where he developed 4 years of research under supervision of Prof. Roy Ascott. His doctoral thesis, funded by CAPES – BRAZIL, is a transdisciplinary research in the fields of art, science, technology and nature in which he investigates how the confluence of these domains (specially in the last decades) has informed the creation of new aesthetics experiences. As a result of this study it was developed a theoretical-practical intervention in the field of arts with focus on the ideas of interactivity, telematics, field theories, and hyperorganisms. He has been developing series of artworks which encompasses drawings, photos, videos and robotics systems. He is artist and researcher with MA in Communication, Technology and Aesthetics by ECO-UFRJ - Brazil (2003) and is Bachelor in Engraving by the Escola de Belas Artes - UFRJ - Brazil (1998). Since 1995 he lectures at the UFRJ-Brazil where currently he holds a position as Adjunct Professor and coordinates the space NANO - Nucleous of Art and New Organisms, a research lab for exploring the intersection of art science and technology. His works have been presented widely in exhibitions and conferences such as: Arizona College of Fine Arts -Arizona US, ISEA Singapore, University of Quebec in Montreal s Coeur des Sciences, University of Applied Arts Vienna, Sala Parpalló – Valência Spain, LABoral – Centro de Arte y Creación Industrial, Gijon Spain, Facultad de Ciencias Sociais y Comunicación Universidad del País Vasco – Bilbao Spain, International Institute Of Biophysics Neuss Germany, Roland Levinsky Building, University of Plymouth UK, Art Centre Plymouth UK, Barbican Theatre Plymouth UK, Cornerhouse – Manchester UK.

Downloads

Published

2012-08-05

How to Cite

NÓBREGA, C. A. M. da. Plantas, máquinas e interafectividade. Computers in education: theory & practice, Porto Alegre, v. 15, n. 1, 2012. DOI: 10.22456/1982-1654.22807. Disponível em: https://seer.ufrgs.br/index.php/InfEducTeoriaPratica/article/view/22807. Acesso em: 24 jun. 2025.

Issue

Vol. 15 No. 1 (2012): Gilbert Simondon, Individuation Process, Technical Culture

Section

Artigos

License

The copyright for papers published in this journal belong to the author, with rights of first publication for the journal. As the papers appears in this publicly accessed journal, the papers are for free use, receiving their credit, in educational and non-commercial uses. The journal will allow the use of the papers published for non-commercial purposes, including the right to send the paper to publicly accessed databases.
Received 2011-09-01
Accepted 2012-05-29
Published 2012-08-05