Impersonal Presences: tones of human in the landscape-scene

Authors

  • Maria Clara Ferrer (Universidade Federal de São João del-Rei ‒ UFSJ, São João del-Rei/MG, Brasil) UFSJ

Keywords:

Presence, Landscape-Scene, Non-Anthropocentric Aesthetics, Goebbels, Régy

Abstract

Considered as an acting feature, presence is generally approached from the actor’s perspective. Disrupting this conception, this work intends to grasp presence as a relational, not a personal quality. For this purpose, two performances will be analyzed: Heiner Goebbels’s Stifters Dinge and Claude Régy’s Variations on death. Created as landscapes, both performances develop a non-anthropocentric aesthetics of the scene and allow envision presence as a perception phenomenon and from the point of view of the audience activity.

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Author Biography

Maria Clara Ferrer (Universidade Federal de São João del-Rei ‒ UFSJ, São João del-Rei/MG, Brasil), UFSJ

Maria Clara Ferrer é diretora, dramaturga, tradutora (francês-português) e professora do Curso de Graduação em Teatro da  Universidade Federal de São João Del Rei. Possui doutorado  em Artes Cênicas pela Université Sorbonne Nouvelle - Paris 3, onde lecionou entre 2008 e 2015.

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Published

2022-10-04

How to Cite

Ferrer (Universidade Federal de São João del-Rei ‒ UFSJ, São João del-Rei/MG, Brasil), M. C. (2022). Impersonal Presences: tones of human in the landscape-scene. Brazilian Journal on Presence Studies, 7(3), 626–648. Retrieved from https://seer.ufrgs.br/index.php/presenca/article/view/69866

Issue

Vol. 7 No. 3 (2017): Set./Dez. 2017

Section

Presence and its Relation Fields

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